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    <lastmod>2026-02-17</lastmod>
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  <url>
    <loc>https://jamespanero.com/writing/2026/2/the-spirit-of-76.html</loc>
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    <lastmod>2026-02-17</lastmod>
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      <image:title>Writing + News - The Spirit of ’76 - Make it stand out</image:title>
      <image:caption>La Destruction de la Statue Royale a Nouvelle Yorck, 1776, Hand-colored etching. Photo: Vincent Dilio, courtesy of David M. Rubenstein.</image:caption>
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      <image:title>Writing + News - The Spirit of ’76 - Make it stand out</image:title>
      <image:caption>The Declaration of Independence, 1823, Engrossed print copy. Photo: Vincent Dilio, courtesy of David M. Rubenstein.</image:caption>
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      <image:title>Writing + News - The Spirit of ’76 - Make it stand out</image:title>
      <image:caption>Paul Revere, The Bloody Massacre perpetrated in King Street, Boston, on March 5th, 1770, Hand-colored engraving. Photo: Vincent Dilio, courtesy of David M. Rubenstein.</image:caption>
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  <url>
    <loc>https://jamespanero.com/writing/2026/1/pure-sketch.html</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-08</lastmod>
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      <image:title>Writing + News - Pure Sketch - Make it stand out</image:title>
      <image:caption>Pierre-Auguste Renoir, Boating Couple, 1880–81, Pastel on paper, Museum of Fine Arts, Boston. On view in “Renoir Drawings,” at the Morgan Library &amp; Museum.</image:caption>
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      <image:title>Writing + News - Pure Sketch - Make it stand out</image:title>
      <image:caption>Pierre-Auguste Renoir, Portrait of a Girl (Elisabeth Maître), 1879, Pastel on Ingres paper, The ALBERTINA Museum, Vienna. On view in “Renoir Drawings,” at the Morgan Library &amp; Museum.</image:caption>
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      <image:title>Writing + News - Pure Sketch - Make it stand out</image:title>
      <image:caption>Pierre-Auguste Renoir, The Great Bathers, 1886–87, Oil on canvas, Philadelphia Museum of Art. On view in “Renoir Drawings,” at the Morgan Library &amp; Museum.</image:caption>
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  <url>
    <loc>https://jamespanero.com/writing/2025/12/range-rovers.html</loc>
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    <lastmod>2025-12-24</lastmod>
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      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>James Panero never thought he’d be one of those rare New Yorkers to navigate the city’s byzantine gun laws — but the process has gotten easier thanks to the Supreme Court. Tamara Beckwith/NY Post</image:caption>
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    <image:image>
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      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>James Panero visits Ground Zero in 2014 with his father, Carl, who worked with Minoru Yamasaki as senior staff architect designing the World Trade Center. Courtesy of James Panero</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/b2391649-491d-4ab3-87b8-6ef24ffb5903/12-11-25-news-features-117562431.webp</image:loc>
      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>James brings his father’s gun — now his — to the range in a locked case. Tamara Beckwith/NY Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/4296e670-a449-4709-a053-b885a01dab38/12-18-25-news-features-117572451.webp</image:loc>
      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>James’ story began when he inherited an old service revolver from his father. Tamara Beckwith/NY Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/14285162-439a-4ebd-9bbe-b85065d85a7b/12-18-25-news-features-117562429.webp</image:loc>
      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>James practices weekly at the range just down the block from his Manhattan office with his own registered revolver. Tamara Beckwith/NY Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/599ef6d9-3203-418a-b2a5-9e892eebeb4c/12-18-25-news-features-117562380.webp</image:loc>
      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>The author finished his weekend course with a paper test — and has gotten better since.Tamara Beckwith/NY Post</image:caption>
    </image:image>
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      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>A diverse group of New Yorkers take aim at the Westside range in the heart of Manhattan.Tamara Beckwith/NY Post</image:caption>
    </image:image>
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      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>Tamara Beckwith/NY Post</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>Tamara Beckwith/NY Post</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>Tamara Beckwith/NY Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/0954b279-7a30-4c8e-898e-41be28a306d1/author-james-panero-father-carl-117563667.webp</image:loc>
      <image:title>Writing + News - Range Rovers - Make it stand out</image:title>
      <image:caption>The author poses with his father, Carl Panero, on Gramercy Park after his daughter’s baby naming at the National Arts Club in 2010. Courtesy of James Panero</image:caption>
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  <url>
    <loc>https://jamespanero.com/writing/2025/12/biwmc3wy204fkcv5rvz5d7vfzbkkrg.html</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-19</lastmod>
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      <image:title>Writing + News - America Beautiful - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing + News - America Beautiful - Read my interview on Trump’s architecture with the Neue Zürcher Zeitung (December 8, 2025)</image:title>
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  <url>
    <loc>https://jamespanero.com/writing/2025/11/the-case-against-buckley.html</loc>
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    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/4b83782a-26f0-4259-99a2-372d1525835f/9798217170586.jpeg</image:loc>
      <image:title>Writing + News - The Case Against Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/003e5a36-ab7d-4f5f-9a05-5a81a774b5d6/Screenshot+2025-11-11+at+4.12.28%E2%80%AFPM.png</image:loc>
      <image:title>Writing + News - The Case Against Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/7b393449-a840-4f4f-a849-edf107a47ef1/Screenshot+2025-11-11+at+4.12.38%E2%80%AFPM.png</image:loc>
      <image:title>Writing + News - The Case Against Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c52fd83b-8c73-4f92-a8e0-9f7e8cd1240c/Screenshot+2025-11-11+at+4.13.14%E2%80%AFPM.png</image:loc>
      <image:title>Writing + News - The Case Against Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://jamespanero.com/writing/2025/10/churchills-chutzpah.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/d37f8db3-f04d-4ea1-8768-575bff5e4ad1/VE-Day-Europe.jpg</image:loc>
      <image:title>Writing + News - Churchill's Chutzpah - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/47de6545-ae2a-44bf-be08-9e20c663d14f/1-new-york-times-bestselling-113922518.webp</image:loc>
      <image:title>Writing + News - Churchill's Chutzpah - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e5653928-867a-4106-8238-d7680afa8e03/sir-winston-leonard-spencer-churchill-1874-1965-640.jpg</image:loc>
      <image:title>Writing + News - Churchill's Chutzpah - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2025/10/kingdom-come.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/afabdb51-c61f-4a9d-9312-ed6efa6e2356/image-13.png</image:loc>
      <image:title>Writing + News - Kingdom Come - Make it stand out</image:title>
      <image:caption>Robert Landry, Reliquary of the True Cross, 1628–29, Gilt silver and glass, Terra Sancta Museum, Jerusalem.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ae8c8102-6b31-4c1b-a728-8b684e795f35/holy_sepulcher_40_a_Torchere_2000.jpg.webp</image:loc>
      <image:title>Writing + News - Kingdom Come - Make it stand out</image:title>
      <image:caption>Al San Lorenzo Giustinian Workshop, Torchère, 1762, Silver and gilt silver, Terra Sancta Museum, Jerusalem.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/9fb664a9-a259-4b8a-bbc1-e91cf5495c71/image-12.png</image:loc>
      <image:title>Writing + News - Kingdom Come - Make it stand out</image:title>
      <image:caption>Nicolas Dolin, Chalice, 1661–63, Gilt silver, glass, and semi-precious stone, Terra Santa Museum, Jerusalem.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2025/10/mock-stars.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/9b7311a0-99c0-4c6f-a706-62ec5f0e8b59/Screenshot+2025-10-14+at+2.42.30%E2%80%AFPM.png</image:loc>
      <image:title>Writing + News - Mock stars - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/edc1ae41-b638-4fd1-bfe3-b478e71ee3a0/Screenshot+2025-10-14+at+2.43.12%E2%80%AFPM.png</image:loc>
      <image:title>Writing + News - Mock stars - Make it stand out</image:title>
      <image:caption>Alceo Dossena didn’t know dealers were passing off his recreations of Gothic and Renaissance sculpture as the real deal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/7f540b93-ae73-4220-b0ee-13279fa82fc9/Screenshot+2025-10-14+at+2.42.55%E2%80%AFPM.png</image:loc>
      <image:title>Writing + News - Mock stars - Make it stand out</image:title>
      <image:caption>American soldiers found in a Nazi leader’s home the work “Christ and the Adulteress” — which everyone wrongly believed Vermeer painted.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Han van Meegeren paints a “Vermeer” before an audience — proving he was a forger, not a Nazi collaborator.</image:caption>
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      <image:title>Writing + News - Mock stars - Make it stand out</image:title>
      <image:caption>Mark Landis quickly made copies (bottom) of famous works like Charles Courtney Curran’s “Three Women” (top).</image:caption>
    </image:image>
  </url>
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    <loc>https://jamespanero.com/writing/2025/9/inside-the-cult-of-equinox.html</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing + News - Preference for the Primitive - Make it stand out</image:title>
      <image:caption>Installation view of the Michael C. Rockefeller Wing at the Metropolitan Museum of Art. Photo: Bridgit Beyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/8e43e265-864a-4066-a62c-f961d83a9545/PANERO-MetRockPanero2-2048x1152.jpg</image:loc>
      <image:title>Writing + News - Preference for the Primitive - Make it stand out</image:title>
      <image:caption>Installation view of the Michael C. Rockefeller Wing at the Metropolitan Museum of Art. Photo: Bridgit Beyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c5ad947a-b1f0-40ae-8f02-cbd7da3d4242/PANERO-MetRockPanero4.jpg</image:loc>
      <image:title>Writing + News - Preference for the Primitive - Make it stand out</image:title>
      <image:caption>Michael C. Rockefeller with Papuan natives in New Guinea, 1961.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2025/6/fool-britannia.html</loc>
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    <lastmod>2025-06-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/4786ec3e-684b-494c-85d3-1b2a2ee08105/Yale-Center-for-British-Art-Entrance-Court-Skylights_photo-by-Richard-Caspole-scaled-1.jpg</image:loc>
      <image:title>Writing + News - Fool Britannia - Make it stand out</image:title>
      <image:caption>Entrance-court skylights, Yale Center for British Art. Photo: Richard Caspole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/76a91dc0-97ac-4e09-9d87-8d34bdbe36c7/Yale-Center-for-British-Art-Roof-and-Skylight-Domes_photo-by-Richard-Caspole.jpg</image:loc>
      <image:title>Writing + News - Fool Britannia - Make it stand out</image:title>
      <image:caption>Roof and skylight domes, Yale Center for British Art. Photo: Richard Caspole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1a7ff56b-713b-45a0-82f5-e4a9249f9ce9/You-Kept-it-Coming-EMIN-535-2019-scaled-1.jpg</image:loc>
      <image:title>Writing + News - Fool Britannia - Make it stand out</image:title>
      <image:caption>Tracey Emin, You Kept it Coming, 2019, Acrylic on canvas, Private collection. © HV-Studio, courtesy of the artist and Xavier Hufkens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/5321c647-3c5e-435a-8bd8-5dccb230e864/I-Followed-you-to-the-end-TE7633-scaled-1.jpg</image:loc>
      <image:title>Writing + News - Fool Britannia - Make it stand out</image:title>
      <image:caption>Tracey Emin, I Followed You to The End, 2024, Acrylic on canvas, White Cube. © Tracey Emin, courtesy of the artist and White Cube.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Fool Britannia - Make it stand out</image:title>
      <image:caption>Tracey Emin, From the Mountain to the Lake, 2022, Acrylic on canvas, Collection of the artist. © Tracey Emin. All rights reserved, DACS 2024.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://jamespanero.com/writing/2025/5/6huvclz2856hryvk64ls86whmlya9c.html</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/cbf569f2-eb0f-417a-9f56-d486e654a285/Oskar-Schlemmer-Bauhaus-Stairway-1932.-The-Museum-of-Modern-Art-New-York-scaled.jpg</image:loc>
      <image:title>Writing + News - Beyond Grosz - Make it stand out</image:title>
      <image:caption>Oskar Schlemmer, Bauhaus Stairway, 1932, Oil on canvas, Museum of Modern Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/cb882520-5fa5-41d9-ac5a-36aecbc81cd2/George-Grosz-Eclipse-of-the-Sun-1926.-The-Heckscher-Museum-of-Art-Huntington-NY.-%C2%A9-2025-Estate-of-George-Grosz.-Licensed-by-VAGA-at-Artists-Rights-Society-ARS-NY-scaled.jpg</image:loc>
      <image:title>Writing + News - Beyond Grosz - Make it stand out</image:title>
      <image:caption>George Grosz, Eclipse of the Sun, 1926, The Heckscher Museum of Art, Huntington, New York. © 2025 Estate of George Grosz. Licensed by VAGA at Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/05f6a8c8-69e8-430a-828c-28bb68f8e9af/Franz-M.-Jansen-Masks-1925.-LVR-Landesmuseum-Bonn-1394x1536.jpg</image:loc>
      <image:title>Writing + News - Beyond Grosz - Make it stand out</image:title>
      <image:caption>Franz M. Jansen, Masks, 1925, Oil on canvas, LVR-Landesmuseum, Bonn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/0097f176-43a9-4db3-bcdc-1723ecdbb3f5/Carl-Grossberg-Jacquard-Weaving-Mill-1934.-Merrill-C.-Berman-Collection-1651x2048.jpg</image:loc>
      <image:title>Writing + News - Beyond Grosz - Make it stand out</image:title>
      <image:caption>Carl Grossberg, Jacquard Weaving Mill, 1934, Oil on plywood, Merrill C. Berman Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/2ebbe785-3892-40e2-959f-0ad6276f4cff/YVA-Else-Ernestine-Neulander-Woman-Modeling-Jewelry-from-the-Volkerkundemuseum-Ethnological-Museum-1933.-Kunstbibliothek-Staatliche-Museen-zu-Berlin.jpg</image:loc>
      <image:title>Writing + News - Beyond Grosz - Make it stand out</image:title>
      <image:caption>Yva (Else Ernestine Neuländer), Woman Modeling Jewelry from the Völkerkundemuseum (Ethnological Museum), 1933, Kunstbibliothek, Staatliche Museen zu Berlin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2025/4/moonraker.html</loc>
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    <lastmod>2025-04-22</lastmod>
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      <image:title>Writing + News - Moonraker - Make it stand out</image:title>
      <image:caption>Caspar David Friedrich, Self-Portrait, 1800, Black chalk on wove paper, Statens Museum for Kunst, Copenhagen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/21e71d6b-5fff-43bd-8655-f157c4a9e107/CDF_View-of-Arkona-scaled.jpg</image:loc>
      <image:title>Writing + News - Moonraker - Make it stand out</image:title>
      <image:caption>Caspar David Friedrich, View of Arkona with Rising Moon, 1805–06, Brown ink &amp; wash over pencil on paper, Albertina Museum, Vienna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/0f6de19e-836c-4ab1-a746-8739cad9bdf2/CDF_Wanderer-Above-the-Sea-of-Fog-1622x2048.jpg</image:loc>
      <image:title>Writing + News - Moonraker - Make it stand out</image:title>
      <image:caption>Caspar David Friedrich, Wanderer above the Sea of Fog, ca. 1817, Oil on canvas, Hamburger Kunsthalle.</image:caption>
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      <image:title>Writing + News - Moonraker - Make it stand out</image:title>
      <image:caption>Caspar David Friedrich, Cave in the Harz, ca. 1837, Brown ink &amp; wash with pencil on paper, The Royal Danish Collection, Copenhagen.</image:caption>
    </image:image>
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    <priority>0.5</priority>
    <lastmod>2026-02-05</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/d4ae9ef5-703a-429e-a2e4-00ff126b0898/im-67925297+%281%29.jpeg</image:loc>
      <image:title>Writing + News - WSJ: Review of "Jack Whitten - The Messenger" - Make it stand out</image:title>
      <image:caption>‘Atopolis: For Édouard Glissant’ (2014). The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/aee44b67-218c-4e77-bfbc-58d2a7b1c06a/im-43594769.jpeg</image:loc>
      <image:title>Writing + News - WSJ: Review of "Jack Whitten - The Messenger" - Make it stand out</image:title>
      <image:caption>‘The Afro American Thunderbolt’ (1983/1984). Courtesy the Estate and Hauser &amp; Wirth</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - WSJ: Review of "Jack Whitten - The Messenger" - Make it stand out</image:title>
      <image:caption>‘Mirsinaki Blue’ (1974). Herbert F. Johnson Museum of Art, Cornell University</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2025/4/good-on-paper.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c918a883-36fd-4272-9275-077fea5582e0/2022.7.1-1-scaled.jpg</image:loc>
      <image:title>Writing + News - Good on Paper - Make it stand out</image:title>
      <image:caption>Giuseppe Cesari, called Cavaliere d’Arpino, The Discovery of Romulus and Remus, 1596, Red chalk, Charles H. Schwartz Fund, Wadsworth Atheneum Museum of Art, Hartford.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/8a1317eb-9ffc-4de4-8b34-8092ab14b950/1935.37-scaled.jpg</image:loc>
      <image:title>Writing + News - Good on Paper - Make it stand out</image:title>
      <image:caption>Léon Bakst, Costume Design for Vaslav Nijinsky as the Faun, from “L’Apres-Midi d’un Faune,” 1912, Graphite, tempera, watercolor &amp; gold paint on illustration board, The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund, Wadsworth Atheneum Museum of Art, Hartford.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Good on Paper - Make it stand out</image:title>
      <image:caption>Giorgio Vasari, Descent from the Cross, ca. 1550, Pen, ink wash &amp; chalk on paper, Purchase through the gift of James Junius Goodwin, Wadsworth Atheneum Museum of Art, Hartford.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/554c78c3-e24c-4123-b385-20430df4d3d2/2023.53.12-ver2-1518x2048.jpg</image:loc>
      <image:title>Writing + News - Good on Paper - Make it stand out</image:title>
      <image:caption>Jean Auguste Dominique Ingres, Portrait of Louis-Pierre Haudebourt, Pencil on paper, Bequest of Susannah Shickman, Wadsworth Atheneum Museum of Art, Hartford.</image:caption>
    </image:image>
  </url>
  <url>
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    <priority>0.5</priority>
    <lastmod>2025-02-21</lastmod>
    <image:image>
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    <lastmod>2025-02-21</lastmod>
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    <lastmod>2025-02-07</lastmod>
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      <image:caption>A Soldier’s Journey, by Sabin Howard, The National WWI Memorial, Washington, D.C. Photo: James Panero</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/121bc77b-554d-4080-9623-45a2ae222d8b/4.-Egon-Schiele-Krumau-Townscape-1912.-Private-Collection.png</image:loc>
      <image:title>Writing + News - Schiele’s Living Dead - Make it stand out</image:title>
      <image:caption>Egon Schiele, Krumau Townscape, 1912, Oil on panel, Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/9d3400a9-e1f2-42b7-b2ec-2db3d5c663bd/neue.jpg</image:loc>
      <image:title>Writing + News - Schiele’s Living Dead - Make it stand out</image:title>
      <image:caption>Egon Schiele, Town Among the Greenery (The Old City III), 1917, Oil on canvas, Neue Galerie, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/40602b69-78f7-4c43-9fce-7f160687f6f8/2.-Egon-Schiele-City-on-the-Blue-River-I-Dead-City-I-1910.-Private-Collection.png</image:loc>
      <image:title>Writing + News - Schiele’s Living Dead - Make it stand out</image:title>
      <image:caption>Egon Schiele, City on the Blue River I (Dead City I), 1910, Gouache with glue &amp; black crayon on paper, Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c5551e64-6406-4238-b44a-43f915ac8b88/10.-Egon-Schiele-Sunflower-I-1908.-Landessammlungen-Niederosterreich-St.-Polten.png</image:loc>
      <image:title>Writing + News - Schiele’s Living Dead - Make it stand out</image:title>
      <image:caption>Egon Schiele, Sunflower I, 1908, Oil on cardboard, Landessammlungen Niederösterreich, St. Pölten.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/12/tokens-of-culture.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/faecfdc4-1c6b-4388-9b0f-978d62bf144f/penny-on-mars.jpg</image:loc>
      <image:title>Writing + News - Tokens of Culture - Make it stand out</image:title>
      <image:caption>The U.S. penny aboard NASA’s Curiosity rover in Gale Crater on Mars. Photo: Mars Hand Lens Imager (MAHLI), courtesy of NASA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/6444c728-aa5b-45ca-a400-87c2081c47e3/SOM-teaser+%282%29.jpg</image:loc>
      <image:title>Writing + News - Tokens of Culture - Make it stand out</image:title>
      <image:caption>Society of Medalists issues. Photo courtesy of medallicartcollector.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/b8bfc9b9-db04-4b56-a38b-eb89347b0754/janvier-2-1536x1212.jpg</image:loc>
      <image:title>Writing + News - Tokens of Culture - Make it stand out</image:title>
      <image:caption>The obverse of the James H. Hyde Medallion on the Janvier reduction machine at the Medallic Art Company. Photo courtesy of the American Numismatic Society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/a9b74d2f-c786-4f2f-99ba-2297b164ac70/maco-delivery-1536x1199.jpg</image:loc>
      <image:title>Writing + News - Tokens of Culture - Make it stand out</image:title>
      <image:caption>The shipping &amp; receiving dock of the Medallic Art Company ca. 1947–51. Photo courtesy of the American Numismatic Society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/65f4c0ae-02be-4bf8-907b-ee568781c78b/manship-dionysus-medal.jpg</image:loc>
      <image:title>Writing + News - Tokens of Culture - Make it stand out</image:title>
      <image:caption>Paul Manship, Hail to Dionysus, 1930, Bronze, Society of Medalists Issue 2.</image:caption>
    </image:image>
  </url>
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    <loc>https://jamespanero.com/writing/2024/11/a-lion-in-zion.html</loc>
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      <image:title>Writing + News - A Lion in Zion - Make it stand out</image:title>
      <image:caption>A delegate card from the First Zionist Congress in Basel in 1897, Collection of David Matlow, Toronto. Photo: Kevin Viner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/fa827db2-7186-4d30-bcd9-9e3f49d18dda/Matlow_bust+%282%29.jpg</image:loc>
      <image:title>Writing + News - A Lion in Zion - Make it stand out</image:title>
      <image:caption>A bust of Theodor Herzl, Collection of David Matlow, Toronto. Photo: Kevin Viner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/a11be600-4591-4076-b6c5-10528fa025f8/Matlow-_Schatz.jpg</image:loc>
      <image:title>Writing + News - A Lion in Zion - Make it stand out</image:title>
      <image:caption>A bas-relief portrait of Theodor Herzl, Collection of David Matlow, Toronto. Photo: Kevin Viner.</image:caption>
    </image:image>
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      <image:title>Writing + News - The Boston Perry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://jamespanero.com/writing/2024/9/marx-of-the-libido.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ca419a96-067c-4365-944e-409f858a7995/Wilhelm-Reich-Museum_Hauptgebaeude.jpeg</image:loc>
      <image:title>Writing + News - Marx of the Libido - Make it stand out</image:title>
      <image:caption>Orgonon, Reich’s post-war headquarters in Rangley, Maine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e5c5ade5-77cc-4f29-b125-6c07f16ad7ae/Orgone_Energy_Accumulator_%28wide-angle%2C_open%29.jpeg</image:loc>
      <image:title>Writing + News - Marx of the Libido - Make it stand out</image:title>
      <image:caption>One of Reich’s remaining orgone energy accumulators or “orgone box.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/9/the-map-amp-the-territory.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/021ebca7-5512-42e6-80f3-5d382571ef9d/chuck-close-joe-zucker.png</image:loc>
      <image:title>Writing + News - The map &amp;amp; the territory - Make it stand out</image:title>
      <image:caption>Chuck Close, Joe Zucker, 1969, Gelatin silver print, Nelson-Atkins Museum of Art, Kansas City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c4be5861-4987-463c-a07d-729ad843e393/amy-hewes-zucker.jpeg</image:loc>
      <image:title>Writing + News - The map &amp;amp; the territory - Make it stand out</image:title>
      <image:caption>Joe Zucker, Amy Hewes, 1976, Acrylic, cotton &amp; rhoplex on canvas, Mary Boone Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/0397cd32-b4c3-4712-bc31-6fbbc0573060/paying-off-old-debts-zucker.jpeg</image:loc>
      <image:title>Writing + News - The map &amp;amp; the territory - Make it stand out</image:title>
      <image:caption>Joe Zucker, Paying Off Old Debts, 1975, Acrylic, cotton &amp; rhoplex on canvas, Mary Boone Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/0d200025-f768-4781-b4a1-3ca4ae28c6c1/%2311118-%28JZ%29-HIGH-RES.jpeg</image:loc>
      <image:title>Writing + News - The map &amp;amp; the territory - Make it stand out</image:title>
      <image:caption>Joe Zucker, Russian Empire, 2012, Watercolor &amp; gypsum on plywood, Mary Boone Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/57646aa3-4bbc-4b57-9e72-2c4029d92c3c/robocrate-flagship-zucker.jpeg</image:loc>
      <image:title>Writing + News - The map &amp;amp; the territory - Make it stand out</image:title>
      <image:caption>Joe Zucker, Robocrate Flagship #2 (1955–1960), 2004, Watercolor, ink &amp; graphite on paper, David Nolan Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/7/step-amp-repeat.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-19</lastmod>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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    <image:image>
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      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Gustav Klimt, Judith and the Head of Holofernes, 1901, Oil &amp; gold on canvas, Österreichische Galerie Belvedere, Vienna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/07087e51-bc04-48ba-9db9-41a3c09d7a6a/Screenshot-2024-05-21-at-2.26.13%E2%80%AFPM-2048x2038.png</image:loc>
      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Gustav Klimt, The Park, 1909, Oil on canvas, Museum of Modern Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1c037675-e0e4-48f6-b119-2c21f34cbf3d/klimt.jpg</image:loc>
      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Gustav Klimt, Two Girls with Oleander, ca. 1890–92, Oil on canvas, Wadsworth Atheneum, Hartford.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/a8c355da-6113-4203-bf26-aa0aae6eb677/Prolog_Photo_Henneberg_Buchenwald_Herbst_1898-1591x2048.jpg</image:loc>
      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Beech Forest in Autumn, 1898. Photo: Hugo Henneberg, Staatliche Museen zu Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/10fbfbb2-c61e-43b7-b811-bfa036f45433/Gustav_Klimt_-_Beech_Grove_I_-_Google_Art_Project.jpg</image:loc>
      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Gustav Klimt, Beech Forest I, 1902, Oil on canvas, Galerie Neue Meister, Dresden.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/119adcc3-2ee0-4ae1-bef2-d95ea4354e5f/64ff7849d9045a997b1f51635f15d3b0-2048x1275.jpeg</image:loc>
      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud, Untitled (Six Soda Pop Bottles), ca. 1985, Watercolor on paper, Collection of Matt and Maria Bult.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/bb28d888-bfab-4adb-ba29-01a3d665e14b/578cafa2d16042f820fead0e3c61745d.jpeg</image:loc>
      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Paul Resika, Moonlight, 1943–44, Oil on canvas, Bookstein Projects, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/7b27857a-1926-4e68-b589-a368ea52ec9b/c179620ee8a680318de1a3de2144fd06.jpeg</image:loc>
      <image:title>Writing + News - Summer lights - Make it stand out</image:title>
      <image:caption>Paul Resika, End of the Day #12, Oil on canvas, 2023, Bookstein Projects, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/6/new-podcast-jeremy-black-on-britain-amp-the-middle-east.html</loc>
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    <lastmod>2024-06-05</lastmod>
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  <url>
    <loc>https://jamespanero.com/writing/2024/4/curtains-for-lincoln-center.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-19</lastmod>
    <image:image>
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      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Nina Chanel Abney, San Juan Heal, 2022, Latex ink &amp; vinyl mounted on glass, David Geffen Hall, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c4e23a5e-3645-44be-bcb7-e276823cf792/Screenshot-2024-04-16-at-3.17.35%E2%80%AFPM-1024x851.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>An image from San Juan Hill prior to Lincoln Center’s development. Photo: Lincoln Square Slum Clearance Plan, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e7a43696-d001-4e52-9cf1-1345197a9d27/Screenshot-2024-04-16-at-4.19.21%E2%80%AFPM-1024x851.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Proposed location of the Lincoln Square Project. Photo: Lincoln Square Slum Clearance Plan, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e333f299-4196-41aa-910f-9100fc45db5b/4b914025b1951c719f7636ec9edd8d27-1024x768+%281%29.jpeg</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>A preliminary design for the opera house at Lincoln Center, by Wallace K. Harrison, 1955. Photo courtesy of Columbia University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/9e2c2b9a-f349-4023-ade3-4c4eb81b6598/Screenshot-2024-04-16-at-4.15.42%E2%80%AFPM-1024x667.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Substandard living conditions identified by the slum clearance committee. Photo: Lincoln Square Slum Clearance Plan, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/941449f4-c0ad-4f69-9cec-af56baf92e3c/Screenshot-2024-04-16-at-4.22.19%E2%80%AFPM-1140x1536.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Proposed boundary map of the Lincoln Center Project. Photo: Lincoln Square Slum Clearance Plan, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ed6b1ed0-e9da-4f1b-8ced-04633a085a97/LincolnCenter_RAC_001-1024x747.jpg</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>The groundbreaking ceremony for Lincoln Center Plaza, 1959. Photo: LIFE Photo Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/5cbe84a1-99ab-45f5-915b-dfae768043e7/Screenshot-2024-04-16-at-4.35.58%E2%80%AFPM-1024x686.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Census on minority populations conducted New York Slum Clearance Committee. Photo: Preliminary Report on the Lincoln Square Project, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1ed28bd8-16a1-4d46-9d42-adeb593db0f3/Screenshot-2024-04-16-at-3.27.40%E2%80%AFPM-1024x805.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Lincoln Center Plaza under construction, 1964. Photo: Bob Serating Photo © Lincoln Center for the Performing Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c8505e8c-b5e1-41c1-a9d4-574b111d3774/Screenshot-2024-04-16-at-4.48.00%E2%80%AFPM-1024x825+%281%29.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Philharmonic Hall, 1963. Photo: Lincoln Center for Performing Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e96d2958-8b75-44b5-b716-e71cef020a46/Screenshot-2024-04-16-at-4.29.46%E2%80%AFPM-1024x775.png</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>Lincoln Center Plaza, 1965. Photo: Suzanna Faulkner Stevens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/a48cf613-8501-4ed2-b42d-287c2e0ac2e2/oasis1-1024x683-1.jpg</image:loc>
      <image:title>Writing + News - Curtains for Lincoln Center - Make it stand out</image:title>
      <image:caption>The Oasis Dance Floor, 2023. Photo: Lincoln Center for Performing Arts.</image:caption>
    </image:image>
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  <url>
    <loc>https://jamespanero.com/writing/2024/4/lincoln-center-cancels-mozart.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/b39efd90-3a0b-46bb-8a7f-c3b47c488ad9/Screenshot-2024-04-16-at-4.48.00%E2%80%AFPM-1024x825.png</image:loc>
      <image:title>Writing + News - Lincoln Center Cancels Mozart - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <loc>https://jamespanero.com/writing/2024/2/brown-in-town.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/671d9053-79e6-41cd-9ecb-424ae9af5b5b/WoA-AMP-OC-684-Web-Primary.jpg</image:loc>
      <image:title>Writing + News - Brown in Town - Make it stand out</image:title>
      <image:caption>John Vanderlyn Jr., Santa Claus, 1845, Oil on canvas, Jeffrey Tillou Antiques, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/85f64dfd-7249-416e-b68c-dfdb45fc9d9e/084_Kinzle_31Aug23.jpg</image:loc>
      <image:title>Writing + News - Brown in Town - Make it stand out</image:title>
      <image:caption>Simsbury Carver, Richard Andrus, His Horn Made at Roxbury October 5th 1775, 1775, Horn, Killy Kinzle Antiques, New Oxford, Pennsylvania.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/3000f9c2-99ba-4994-83dc-34be86659a59/efd38e55f6aa11889d6c4b6e7a0c11a2.jpeg</image:loc>
      <image:title>Writing + News - Brown in Town - Make it stand out</image:title>
      <image:caption>Pierre Bonnard, L’Escalier, ca. 1932, Oil &amp; gouache on paper, Jill Newhouse Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/205e8921-65ab-4b77-ab23-9c9bbf099050/tipe.png</image:loc>
      <image:title>Writing + News - Brown in Town - Make it stand out</image:title>
      <image:caption>Lorenzo Balidessera Tiepolo, A Young Man Wearing a Studio Cap, Resting His Head on His Left Hand, ca. 1755, Black &amp; red chalk, Nicholas Hall and W. M. Brady &amp; Co., New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/bd589f57-e18e-438a-8591-8c0a2f43c984/Image-4-1790x2048.jpg</image:loc>
      <image:title>Writing + News - Brown in Town - Make it stand out</image:title>
      <image:caption>Cover, spine &amp; back cover of The Whole Book of Psalmes, 1643. Photo: Nicole Neenan / Grolier Club.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/d3ef5384-8983-4714-841f-6639107a73bc/53367234378_8c4f0202db_k.jpg</image:loc>
      <image:title>Writing + News - Brown in Town - Make it stand out</image:title>
      <image:caption>A gallery view of “Whodunit? Key Books in Detective Fiction” at the Grolier Club, New York. Photo courtesy of the Grolier Club.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e8a750b3-c4a9-4f7e-a7fd-0590c07f0354/Screenshot+2024-02-21+at+11.12.54%E2%80%AFAM.png</image:loc>
      <image:title>Writing + News - Brown in Town - Make it stand out</image:title>
      <image:caption>Gustav Bauernfeind, The Western Wall, ca. 1890, Oil on canvas, Private collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/2/new-podcast-jeremy-black-on-the-history-of-the-thames.html</loc>
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    <priority>0.5</priority>
    <lastmod>2024-02-15</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/2/the-prophet-of-imprudence.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/a065d78d-c79c-4c87-84ce-3b9aa6fdbf9d/81PGzWjwxJL._SY466_.jpg</image:loc>
      <image:title>Writing + News - The Prophet of Imprudence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/1/giorgione-in-the-house.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/3431af68-8987-45c9-904a-b2bf83f23c94/3-installation-view.jpg</image:loc>
      <image:title>Writing + News - Giorgione in the House - Make it stand out</image:title>
      <image:caption>Installation view of “Bellini and Giorgione in the House of Taddeo Contarini.” Photo: Joseph Coscia Jr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/28220a47-33df-481e-932c-25a4b00a2367/1-giorgione.jpg</image:loc>
      <image:title>Writing + News - Giorgione in the House - Make it stand out</image:title>
      <image:caption>Giorgione, The Three Philosophers, ca. 1508–09, Oil on canvas, Kunsthistorisches Museum, Vienna. Photo: KMH-Museumsverband.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/d55f694d-f6a4-49a5-8b74-4941f13ed31e/2-bellini.jpg</image:loc>
      <image:title>Writing + News - Giorgione in the House - Make it stand out</image:title>
      <image:caption>Giovanni Bellini, St. Francis in the Desert, ca. 1475–80, Oil on panel, Frick Collection, New York. Photo: Michael Bodycomb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/af21ca85-16cf-46ce-aa4b-cb28bee4b54b/4-installation-view-1.jpg</image:loc>
      <image:title>Writing + News - Giorgione in the House - Make it stand out</image:title>
      <image:caption>Installation view of “Bellini and Giorgione in the House of Taddeo Contarini.” Photo: Joseph Coscia Jr.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2024/1/under-pressure.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ac8a204e-6a63-4384-a373-11df95b92adb/2-max-beckmann-christ-and-the-sinner-1917.jpg</image:loc>
      <image:title>Writing + News - Under Pressure - Make it stand out</image:title>
      <image:caption>Max Beckmann, Christ and the Sinner, 1917, Oil on canvas, Saint Louis Art Museum, Missouri. © 2023 Artists Rights Society, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/bf6e1cbf-1cc6-4c0c-a824-744682b3aea9/3-max-beckmann-adam-and-eve-1917.jpg</image:loc>
      <image:title>Writing + News - Under Pressure - Make it stand out</image:title>
      <image:caption>Max Beckmann, Adam and Eve, 1917, Neue Nationalgalerie, Staatliche Museen Zu Berlin, Germany. © 2023 Artists Rights Society, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/03c89e36-650a-44c2-bd26-07dd80b07b8f/4-max-beckmann-landscape-with-balloon-1917.jpg</image:loc>
      <image:title>Writing + News - Under Pressure - Make it stand out</image:title>
      <image:caption>Max Beckmann, Landscape with Balloon, 1917, Museum Ludwig, Cologne. © 2023 Artists Rights Society, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/6ecc542a-267a-4ff7-902d-7021f3cfc5aa/11-max-beckmann-self-portrait-in-front-of-red-curtain-1923.jpg</image:loc>
      <image:title>Writing + News - Under Pressure - Make it stand out</image:title>
      <image:caption>Max Beckmann, Self-portrait in front of Red Curtain, 1923, Oil on canvas, Private collection. © Artists Rights Society, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ab517522-a0e0-4701-8ac1-419e769abe5e/6-max-beckmann-the-way-home-hell-portfolio-1919.jpg</image:loc>
      <image:title>Writing + News - Under Pressure - Make it stand out</image:title>
      <image:caption>Max Beckmann, “The Way Home” from the Hell portfolio, 1919, Lithograph, Museum of Modern Art, New York. © 2023 Artists Rights Society</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/679a6f07-22ea-4504-971b-f8fecee91a48/18-max-beckmann-self-portrait-with-white-cap-1926.jpg</image:loc>
      <image:title>Writing + News - Under Pressure - Make it stand out</image:title>
      <image:caption>Max Beckmann, Self-portrait with Cap, 1926, Oil on canvas, Private collection. © Artists Rights Society, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/87e9adc3-4817-43d6-8e6f-d88ac1f6b6a1/9-max-beckmann-the-dream-1921.jpg</image:loc>
      <image:title>Writing + News - Under Pressure - Make it stand out</image:title>
      <image:caption>Max Beckmann, The Dream, 1921, Oil on canvas, Saint Louis Art Museum, © 2023 Artists Rights Society, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2023/11/a-study-in-contrasts.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/d4049f81-35b0-44da-868e-d21a9c21b186/826px-micheleugenechevreul2.jpg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>Michele Eugène Chevreul, nineteenth century. Photo: Unknown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/43383d5b-d50e-4f85-9a77-c5fd09616dda/Cercle_chromatique_Chevreul_3.jpg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>Michele Eugène Chevreul’s color wheel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/6ba236f5-e47c-49aa-9d23-595d9c8383ba/Matisse-Luxe.jpg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>Henri Matisse, Luxe, Calme et Volupté, 1904, Oil on canvas, Musée d’Orsay, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e21afae1-6f4a-4ff7-8bb6-637eaa35815b/3.jpeg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>André Derain, Fishing Boats, Collioure, 1905, Oil on canvas, Metropolitan Museum of Art, New York. Gift of Raymond Paul, in memory of her brother, C. Michael Paul and Purchase, Lila Acheson Wallace Gift, New York. © 2023 Artists Rights Society, New York / ADAGP Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/7c6d69ef-928f-436e-8216-a4ec945270f7/6.jpg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>André Derain, Henri Matisse, 1905, Oil on canvas, Tate, London. © 2023 Artists Rights Society, New York / ADAGP, Paris. Photo: Tate.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/0ccd993d-6e59-494b-9daf-f232c4b9cfce/1.jpg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>André Derain, Woman with a Shawl, Madame Matisse in a Kimono, 1905, Oil on canvas, Private Collection, Courtesy of Nevill Keating Pictures, London. © 2023 Artists Rights Society, New York / ADAGP, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/0672bcc4-4bbe-4495-815c-b4073864230f/4.jpeg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>Henri Matisse, La Japonaise: Woman beside the Water, 1905, Oil and graphite on canvas, Museum of Modern Art, New York. © 2023 Artists Rights Society, New York / ADAGP, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ae7b6029-0e9c-43c0-bf03-235394fe1d75/7.jpg</image:loc>
      <image:title>Writing + News - A Study in Contrasts - Make it stand out</image:title>
      <image:caption>Henri Matisse, Open Windown, Coullioure, 1905, Oil on canvas, National Gallery of Art, Washington, D.C., Collection of Mrs. John Hay Whitney. © 2023 Artists Rights Society, New York / ADAGP, Paris.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2023/11/an-inevitable-rivalry.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/2f7ab1f6-bdc8-4e7d-a149-0dee7636c7d7/Screenshot+2023-10-16+at+7.21.53+PM.png</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Edgar Degas, Monsieur and Madame Édouard Manet, 1868–69, Oil on canvas, Kitakyushu Municipal Museum of Art, Japan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/f05081ea-df27-424a-82e6-3edfed1703fa/Screenshot+2023-10-16+at+7.28.30+PM.png</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Edgar Degas, Monsieur and Madame Édouard Manet, 1868–69, Oil on canvas, Kitakyushu Municipal Museum of Art, Japan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/f22838b3-d5d5-437f-8387-8320c265458f/1Scene.jpg</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Edgar Degas, Scene of War in the Middle Ages, ca. 1865, Oil on paper mounted on canvas, Musée d’Orsay, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/642cec42-f113-4a5f-9fdf-6a2122d32378/2560px-Edouard_Manet_-_Olympia_-_Google_Art_ProjectFXD.jpg</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Édouard Manet, Olympia, 1863, Oil on canvas, Musée d’Orsay, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/4e9b7d21-16c6-4be5-97bd-c17e1d9b1943/the_dead_toreador_1942.9.40.jpg</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Édouard Manet, The Dead Toreador, 1864, Oil on canvas, National Gallery of Art, Washington, D.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/3584cfbe-6e58-490e-bc2d-544d36823659/Cottonexchange1873-Degas.jpg</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Edgar Degas, Cotton Office in New York, 1873, Oil on canvas, Musée des Beaux-Arts de Pau, France.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ff484c65-6eab-4b18-be67-1723faec80b2/Cat1027-pma2018.jpg</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Édouard Manet, The Battle of the USS “Kearsarge” and the CSS “Alabama,” 1864, Philadelphia Museum of Art, Pennsylvania.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/17152bf8-060f-40f5-8502-f8308d26f4c8/main-image-12.jpeg</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Edgar Degas, The Singer in Green, ca. 1884, Pastel on light blue laid paper, Metropolitan Museum of Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/dd40b42e-c680-497f-a9db-09771b6a0269/edgardegas-inacafe-googleartproject2.jpg</image:loc>
      <image:title>Writing + News - An Inevitable Rivalry - Make it stand out</image:title>
      <image:caption>Edgar Degas, In a Café (The Absinthe Drinker), 1875–76, Musée d’Orsay, Paris.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2023/9/new-podcast-wilfred-m-mcclay-on-the-burden-of-the-humanities.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-26</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2023/9/italy-before-rome.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/61560d8d-bd97-4130-a633-c5e1e0b4e92a/militarypaestum.jpeg</image:loc>
      <image:title>Writing + News - Italy Before Rome - Make it stand out</image:title>
      <image:caption>Photograph: Photographer unknown, National Archives, Washington D.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ff4c37e7-e643-4a04-890c-ec70cec962e8/the-great-temple-at-paestum-a55152.jpg</image:loc>
      <image:title>Writing + News - Italy Before Rome - Make it stand out</image:title>
      <image:caption>The Great Temple at Paestum, 1897. Photograph: Photographer unknown, New York Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/d63b4cd8-449a-4607-8ed5-1c30b9be8104/lawrencepaestum.jpeg</image:loc>
      <image:title>Writing + News - Italy Before Rome - Make it stand out</image:title>
      <image:caption>D.H. Lawrence beneath an olive tree at Villa Mirenda, San Polo Mosciano, ca. 1926–27. Manuscripts and Special Collections, The University of Nottingham. Photograph: Photographer unknown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ffcc05be-c343-4aa8-81f8-84579749d7c0/etruscanpaestum.jpeg</image:loc>
      <image:title>Writing + News - Italy Before Rome - Make it stand out</image:title>
      <image:caption>Achilles ambushing Troilus (on horseback) Etruscan fresco, Tomb of the Bulls, Tarquinia. Photograph: Mary Harrsch.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2023/9/spanish-lessons.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/6e35bf53-7aa7-409f-a5e7-fe0263079ae2/HSMentrance.jpeg</image:loc>
      <image:title>Writing + News - Spanish Lessons - Make it stand out</image:title>
      <image:caption>View of the entrance to the Hispanic Society Museum &amp; Library. Photo: Alfonso Lozano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c15f5cdb-0098-46ff-885b-982edfe7d992/HSMvisions.jpeg</image:loc>
      <image:title>Writing + News - Spanish Lessons - Make it stand out</image:title>
      <image:caption>Installation view of “Jewels in a Gem: Luz Camino and Jewelry” with Sorolla’s Visions of Spain (1913–19) above. Photo: Alfonso Lozano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/f70f829f-057e-4094-a118-d523cbad3a5d/HSMdetailvisions.jpeg</image:loc>
      <image:title>Writing + News - Spanish Lessons - Make it stand out</image:title>
      <image:caption>Joaquin Sorolla, Detail from Visions of Spain, 1913–19, Oil on canvas, Hispanic Society Museum, New York. Photo: Alfonso Lozano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/3426fb72-ccea-48d9-ae97-d1fbbcef4f79/HSMplans.jpeg</image:loc>
      <image:title>Writing + News - Spanish Lessons - Make it stand out</image:title>
      <image:caption>View from Audubon Terrace. Photo: Alfonso Lozano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/a351878a-5565-4ee7-a7af-e75f2c6cd92c/penetrable.jpeg</image:loc>
      <image:title>Writing + News - Spanish Lessons - Make it stand out</image:title>
      <image:caption>Jesús Rafael Soto, Penetrable, 1990, Steel, aluminum &amp; plastic hoses, Colección Patricia Phelps de Cisneros. Photo: Courtesy of the Hispanic Society Museum.</image:caption>
    </image:image>
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      <image:caption>Installation view of “Jewels in a Gem: Luz Camino and Jewelry.” Photo: Alfonso Lozano.</image:caption>
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      <image:caption>An aerial view of the American Museum of Natural History’s campus. Photo: Iwan Baan.</image:caption>
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      <image:title>Writing + News - The Inside-Out Diorama - Make it stand out</image:title>
      <image:caption>The Columbus Avenue entrance to the Richard Gilder Center for Science, Education, and Innovation. Photo: Alvaro Keding / © AMNH.</image:caption>
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      <image:caption>The David S. and Ruth L. Gottesman Research Library and Learning Center at the Richard Gilder Center. Photo: Alvaro Keding / © AMNH.</image:caption>
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      <image:caption>The staircase in the Kenneth C. Griffin Exploration Atrium of the Richard Gilder Center. Photo: Iwan Baan.</image:caption>
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      <image:title>Writing + News - Higher Authority - Make it stand out</image:title>
      <image:caption>A sign in the Golan warning of the presence of land mines. Photo: James Panero.</image:caption>
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      <image:title>Writing + News - Higher Authority - Make it stand out</image:title>
      <image:caption>An Iron Dome launch site in the Golan, with Mount Hermon in the distance. Photo: James Panero.</image:caption>
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      <image:title>Writing + News - Higher Authority - Make it stand out</image:title>
      <image:caption>The Israeli border, with Syria in the distance. Photo: James Panero.</image:caption>
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      <image:title>Writing + News - Higher Authority - Make it stand out</image:title>
      <image:caption>The Golan plateau. Photo: James Panero.</image:caption>
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      <image:caption>The Schwab mansion and its surroundings on Riverside Drive, 1906–45. Photo: Irma and Paul Milstein Division of United States History, Local History and Genealogy, The New York Public Library.</image:caption>
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      <image:caption>The Soldiers’ and Sailors’ Monument, ca. 1910.</image:caption>
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      <image:title>Writing + News - Up the Riverside - Make it stand out</image:title>
      <image:caption>The limestone façade of 190 Riverside Drive, constructed in 1908, at West Ninety-First Street. Photo: James Panero.</image:caption>
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      <image:caption>Russell Janzen and Miriam Miller in Justin Peck’s Copland Dance Episodes. Photo: Erin Baiano.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Vittore Carpaccio, Two Women on a Balcony, ca. 1492/1494, Oil on panel, Fondazione Musei Civici di Venezia, Museo Correr, Venice.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Carpaccio by the slice - Make it stand out</image:title>
      <image:caption>Vittore Carpaccio, Saint George and the Dragon, 1516, Oil on canvas, Abbazia di San Giorgio Maggiore, Benedicti Claustra Onlus, Venice. Photo courtesy of Abbazia di San Giorgio Maggiore, Benedicti Claustra Onlus.</image:caption>
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      <image:caption>Vittore Carpaccio, Fishing and Fowling on the Lagoon (recto); Letter Rack (verso), ca. 1492/1494, Oil on panel, The J. Paul Getty Museum, Los Angeles. Digital image courtesy of the Getty’s Open Content Program.</image:caption>
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      <image:caption>Edward Hopper, Blackwell's Island, 1911. Oil on canvas, 24 3/8 × 29 5/16 in. (61.9 × 74.5 cm). Whitney Museum of American Art, New York; Josephine N. Hopper Bequest 70.1188. © 2022 Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York</image:caption>
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      <image:title>Writing + News - Rear Window - Make it stand out</image:title>
      <image:caption>Edward Hopper, Morning Sun, 1952. Oil on canvas, 28 1/8 × 40 1/8 in. (71.4 × 101.9 cm). Columbus Museum of Art, Ohio: Museum Purchase, Howald Fund. © 2022 Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York</image:caption>
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      <image:caption>Edward Hopper, New York Movie, 1939. Oil on canvas, 32 1/4 × 40 1/8 in. (81.9 × 101.9 cm). The Museum of Modern Art; given anonymously. © 2022 Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York. Image courtesy Art Resource</image:caption>
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      <image:caption>Jefferson Reading Room, Library of Congress. Photo: Carol Highsmith, 2009.</image:caption>
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      <image:title>Writing + News - A library by the book - Make it stand out</image:title>
      <image:caption>Detroit Publishing Company, Main reading room, the New York Public Library, ca. 1910, Dry plate negative, Library of Congress.</image:caption>
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    <lastmod>2022-10-25</lastmod>
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      <image:caption>El Jaleo (1882), by John Singer Sargent, at the Isabella Stewart Gardner Museum.</image:caption>
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    <lastmod>2022-10-11</lastmod>
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    <priority>0.5</priority>
    <lastmod>2022-10-11</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2022-10-25</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ac9c1724-b6ad-46fb-80a9-ba641c507bfa/20220804_153331.jpeg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <priority>0.5</priority>
    <lastmod>2022-09-28</lastmod>
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      <image:title>Writing + News - The Way of the Masks - Make it stand out</image:title>
      <image:caption>The old Northwest Coast Hall. Photo courtesy of American Museum of Natural History.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/e6070c74-aa82-42f7-b6fd-cc00ca34dc7f/northwest-coast-nations-1200-900_full_1220.gif</image:loc>
      <image:title>Writing + News - The Way of the Masks - Make it stand out</image:title>
      <image:caption>A map of the Northwest Coast tribes. Photo courtesy of American Museum of Natural History.</image:caption>
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    <image:image>
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      <image:title>Writing + News - The Way of the Masks - Make it stand out</image:title>
      <image:caption>The “Great Canoe” in the Northwest Coast Hall. Photo courtesy of American Museum of Natural History.</image:caption>
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    <lastmod>2022-08-22</lastmod>
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      <image:caption>The lavish 412-page book with around 300 new colour photographs in large format folio</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/aee8f3c5-fd3a-4f10-a32a-eb92e8974258/gould.jpg</image:loc>
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      <image:caption>1 – Gould Memorial Library with its rotunda</image:caption>
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      <image:title>Writing + News - The English baroque architecture of New York - Make it stand out</image:title>
      <image:caption>2 -New York Public Library’s Astor Hall</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/dc53fb60-2dc4-43e4-811a-7b31ba098460/grant.jpg</image:loc>
      <image:title>Writing + News - The English baroque architecture of New York - Make it stand out</image:title>
      <image:caption>The General Grant National Memorial, based on the mausoleum at Halicarnassus</image:caption>
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    <loc>https://jamespanero.com/writing/2022/5/the-obtuse-bard.html</loc>
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      <image:title>Writing + News - The obtuse bard - Make it stand out</image:title>
      <image:caption>Winslow Homer, The Gulf Stream, 1899, Oil on canvas, The Metropolitan Museum of Art, New York.</image:caption>
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      <image:caption>Winslow Homer, Breezing Up (A Fair Wind), 1873–76, Oil on canvas, National Gallery of Art, Washington D.C.</image:caption>
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      <image:title>Writing + News - The obtuse bard - Make it stand out</image:title>
      <image:caption>Winslow Homer, The Veteran in a New Field, 1865, Oil on canvas, The Metropolitan Museum of Art, The Metropolitan Museum of Art, New York.</image:caption>
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    <loc>https://jamespanero.com/writing/2022/4/gallery-chronicle-may-2022.html</loc>
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      <image:caption>Alexander Rodchenko, Poster for Film-Eye, 1924, The Ralph DeLuca Collection. Photo: Poster House.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/720d43e8-ad6e-4ef7-8354-3000331d230f/RR25.jpeg</image:loc>
      <image:title>Writing + News - Gallery chronicle (May 2022) - Make it stand out</image:title>
      <image:caption>Vladimir Stenberg and Georgii Stenberg, Poster for High Society Wager, 1927, The Ralph DeLuca Collection. Photo: Poster House.</image:caption>
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      <image:title>Writing + News - Gallery chronicle (May 2022) - Make it stand out</image:title>
      <image:caption>Alexander Rodchenko, Poster for Battleship Potemkin, 1925, The Ralph DeLuca Collection. Photo: Poster House, New York.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Gallery chronicle (May 2022) - Make it stand out</image:title>
      <image:caption>Vladimir Stenberg and Georgii Stenberg, Six Girls Seeking Shelter, 1928, The Ralph DeLuca Collection. Photo: Poster House.</image:caption>
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      <image:title>Writing + News - Gallery chronicle (May 2022) - Make it stand out</image:title>
      <image:caption>Thornton Willis, Starstrux, 2007, Oil on canvas, David Richard Gallery, New York.</image:caption>
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    <lastmod>2022-04-14</lastmod>
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      <image:title>Writing + News - Reaching - Make it stand out</image:title>
      <image:caption>Dance Theatre of Harlem in Odalisques Variations from Le Corsaire, by Dylan Santos after Marius Petipa. Photo: Theik Smith.</image:caption>
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      <image:title>Writing + News - Reaching - Make it stand out</image:title>
      <image:caption>The Dance Theatre of Harlem in Balamouk by Annabelle Lopez Ochoa. Photo: Christopher Duggan.</image:caption>
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      <image:title>Writing + News - Reaching - Make it stand out</image:title>
      <image:caption>The Dance Theatre of Harlem in Higher Ground by Robert Garland. Photo: Theik Smith.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Reaching - Make it stand out</image:title>
      <image:caption>The Dance Theatre of Harlem in Passage by Claudia Schreier. Photo: Theik Smith</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://jamespanero.com/writing/2022/3/going-under-with-the-overclass.html</loc>
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      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress I: The Heir, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/af6b902b-c968-4c49-b606-cb1057b80b6a/William_Hogarth_022.jpeg</image:loc>
      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress II: The Levée, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1648063213786-M1OHCLOL25PG8KJ9EJWK/williamhogarth-arakesprogress-tavernscene.jpeg</image:loc>
      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress III: The Tavern Scene, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress IV: The Arrest, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress V: The Marriage, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress VI: The Gaming House, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress VII: The Prison, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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      <image:title>Writing + News - Going under with the overclass - Make it stand out</image:title>
      <image:caption>William Hogarth, A Rake’s Progress VIII: The Madhouse, 1734, Oil on canvas, Sir John Soane’s Museum, London. Photo: Wikimedia Commons.</image:caption>
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    <loc>https://jamespanero.com/writing/2022/3/coming-home.html</loc>
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    <lastmod>2022-03-22</lastmod>
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      <image:title>Writing + News - Coming Home - Make it stand out</image:title>
      <image:caption>Francisco de Goya, Duchess of Alba, 1797, Oil on canvas, The Hispanic Society of America, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/f46bbd4d-edf6-4cd8-99cf-6387973e9f40/a73-new-2019.jpeg</image:loc>
      <image:title>Writing + News - Coming Home - Make it stand out</image:title>
      <image:caption>El Greco, Saint Jerome, ca. 1600, Oil on canvas, The Hispanic Society of America, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/4e7f815b-256d-4063-a555-e8cc9c02cb07/a296-new-2019.jpeg</image:loc>
      <image:title>Writing + News - Coming Home - Make it stand out</image:title>
      <image:caption>Joaquín Sorolla, After the Bath, 1908, Oil on canvas, The Hispanic Society of America, New York.</image:caption>
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      <image:title>Writing + News - Coming Home - Make it stand out</image:title>
      <image:caption>Juan Rodriguez Juarez, De Mestizo y de India produce Coyote, ca. 1715, Oil on canvas, The Hispanic Society of America, New York.</image:caption>
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    <loc>https://jamespanero.com/writing/2022/3/exile-in-florida.html</loc>
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    <lastmod>2022-03-17</lastmod>
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    <loc>https://jamespanero.com/writing/2022/3/the-pan-handler.html</loc>
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    <lastmod>2022-03-15</lastmod>
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      <image:title>Writing + News - The Pan Handler - Make it stand out</image:title>
      <image:caption>Griswold #7 cast-iron Dutch oven, produced by the Griswold Manufacturing Company, Erie, Pennsylvania, between 1910 and 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/4ddbdcad-c0cb-46d3-9468-20f530c630fe/il_1588xN.3446575339_sftw.jpg</image:loc>
      <image:title>Writing + News - The Pan Handler - Make it stand out</image:title>
      <image:caption>Griswold #10 cast-iron muffin tin, produced by the Griswold Manufacturing Company, Erie, Pennsylvania, between 1910 and 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/555f9e3a-aaf8-43f4-b762-3d7acba28adb/original_10a10ac5-13b9-4c33-9f0d-e3609315e13b_Screenshot_20220108-145440_Etsy.jpg</image:loc>
      <image:title>Writing + News - The Pan Handler - Make it stand out</image:title>
      <image:caption>Square waffle iron with high base, patented February 22, 1910, produced by the Wagner Manufacturing Company in Sidney, Ohio.</image:caption>
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      <image:title>Writing + News - The Pan Handler - Make it stand out</image:title>
      <image:caption>Fry bread baked in a #5 Griswold cast-iron skillet.</image:caption>
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    <loc>https://jamespanero.com/writing/2022/2/gallery-chronicle-march-2022.html</loc>
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    <lastmod>2022-02-25</lastmod>
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      <image:title>Writing + News - Gallery Chronicle (March 2022) - Make it stand out</image:title>
      <image:caption>Leon Kossoff, Portrait of Rosalind No. 1, 1973, Oil on board, Mitchell-Innes &amp; Nash, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/6eb31bf0-728d-4a77-8706-473f07d93a58/1dcf022890fed942a2a570c5d0bb537e.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (March 2022) - Make it stand out</image:title>
      <image:caption>Leon Kossoff, Christ Church, Spitalfields, Early Summer, 1992 Oil on board, Mitchell-Innes &amp; Nash, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/a599642f-510c-4184-a3bd-7bee4df4b18d/MOY8097.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (March 2022) - Make it stand out</image:title>
      <image:caption>Rodrigo Moynihan, Roman Head on Newspaper, 1986, Oil on canvas. Courtesy of David Nolan Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/ccac473a-f9c1-49e7-834a-cfe706f93ba6/0f4834f7e634cd45f672217454bc2d09.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (March 2022) - Make it stand out</image:title>
      <image:caption>Paul Resika, Self-Portrait with Rag, 2017, Oil on canvas, Bookstein Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/991167de-8615-458e-93a0-b22c763f91f2/allegory-san-nicola-di-bari-1.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (March 2022) - Make it stand out</image:title>
      <image:caption>Paul Resika, Allegory (San Nicola di Bari) #1, 2018, Oil on canvas, New York Studio School.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/730056e6-7e96-4557-9b80-06b4c1118d6e/9ad5620a5f5f1c0b94bdeb14dc6599ad.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (March 2022) - Make it stand out</image:title>
      <image:caption>Rackstraw Downes, Looking Down from the Window of a Friend’s on the Upper West Side, ca. 1975, Graphite on manilla paper. Now on view at Betty Cuningham Gallery, New York.</image:caption>
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    <loc>https://jamespanero.com/writing/2022/2/carnegie-plus-one.html</loc>
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    <lastmod>2022-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/bef6ddba-f697-4e65-b012-6e40737efcb6/image-asset.png</image:loc>
      <image:title>Writing + News - Carnegie plus one - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2022/1/accessory-to-modernism.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/054d8400-4800-4776-8e92-e730f2d36562/9_Taeuber-Arp_Five-Extended-Figures_1926.jpeg</image:loc>
      <image:title>Writing + News - Accessory to modernism - Make it stand out</image:title>
      <image:caption>Sophie Taeuber-Arp, Five Extended Figures, 1926, Gouache, metallic paint, and pencil on paper, Stiftung Arp e.V., Berlin. Photo: Alex Delfanne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/42076232-6db2-40a1-9792-6847a4a564f5/2_Taeuber-Arp_Cushion-panel_1916.jpeg</image:loc>
      <image:title>Writing + News - Accessory to modernism - Make it stand out</image:title>
      <image:caption>Sophie Taeuber-Arp, Cushion panel, 1916, Wool on canvas, Museum für Gestaltung, Zürcher Hochschule der Künste, Zurich, Decorative Arts Collection, Courtesy Museum für Gestaltung Zürich, ZHdK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/9be017f1-3e1c-4a4c-8111-425243e0f347/Nic-Aluf_Sophie-Taeuber-with-her-Dada-Head_1920_PS.jpeg</image:loc>
      <image:title>Writing + News - Accessory to modernism - Make it stand out</image:title>
      <image:caption>Nic Aluf, Sophie Taeuber with her Dada Head, 1920, Gelatin silver print on board, Stiftung Arp e.V., Berlin. Photo: Wolfgang Morell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/de1a6c46-78f0-4b25-b1cc-f24b2b619eaa/11_Taeuber-Arp_Off-Center-Abstract-Composition_1928.jpeg</image:loc>
      <image:title>Writing + News - Accessory to modernism - Make it stand out</image:title>
      <image:caption>Sophie Taeuber-Arp, Off-Center Abstract Composition (stained-glass window for the apartment of André Horn, Strasbourg, France), 1928, Stained glass, Musée d’Art Moderne et Contemporain de Strasbourg, France. Photo: Musées de Strasbourg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/209b0879-e752-4d14-9b27-ae1e5afac2da/Photographer-Unknown_Sophie-Taeuber-Arp-in-costume_1925_PS.jpeg</image:loc>
      <image:title>Writing + News - Accessory to modernism - Make it stand out</image:title>
      <image:caption>Photographer unknown, Sophie Taeuber-Arp in costume for a housewarming party organized by artist Walter Helbig, Ascona, Switzerland, August 1925, Fondation Arp, Clamart, France. Photo: © Fondation Arp, Clamart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/fad00c06-f7f8-44f8-b50e-5a4444570ff0/14_Taeuber-Arp_Four-Spaces-with-Broken-Cross_1932.jpeg</image:loc>
      <image:title>Writing + News - Accessory to modernism - Make it stand out</image:title>
      <image:caption>Sophie Taeuber-Arp, Four Spaces with Broken Cross, 1932, Oil on canvas, Musée National d’Art Moderne, Centre Georges Pompidou, Paris © CNAC/MNAM/Dist. RMN-Grand Palais/Art Resource, NY. Photo: Bertrand Prévost.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/12/visions-of-spain.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/d7bf3176-012f-41db-9026-8ca6a7cb3bb0/51534457257_bdaa639469_5k.jpeg</image:loc>
      <image:title>Writing + News - Visions of Spain - Make it stand out</image:title>
      <image:caption>Installation view of “Treasures from the Hispanic Society Library” at the Grolier Club, New York. Photo: Charlie Rubin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/3c5c0235-3d68-467f-903b-32ce49d4d64c/8+HSA_LD2157_1736A.jpeg</image:loc>
      <image:title>Writing + News - Visions of Spain - Make it stand out</image:title>
      <image:caption>Pedro de Mena, Saint Acisclus, ca. 1680, Polychromed and gilded wood, on view at the Hispanic Society Museum &amp; Library. Photo: Hispanic Society Museum &amp; Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/c8397c46-3104-49a4-bcea-22ac45155b17/4+HSA_LD2412_2181.jpeg</image:loc>
      <image:title>Writing + News - Visions of Spain - Make it stand out</image:title>
      <image:caption>Juan de Juni, Saint Mary Magdalene, ca. 1545, Polychrome wood and wax, on view at the Hispanic Society Museum &amp; Library. Photo: Hispanic Society Museum &amp; Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/7e0e5945-7e6a-4948-96dd-18390f7a8297/LkMlKp6Q.jpeg</image:loc>
      <image:title>Writing + News - Visions of Spain - Make it stand out</image:title>
      <image:caption>Andrea de Mena, Mater dolorosa and Ecce homo, both 1675, Polychromed wood, on view at the Hispanic Society Museum &amp; Library. Photo: Hispanic Society Museum &amp; Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/17cd8d28-4bfe-494e-842d-40a16ce50b5b/51534456072_a4b71dd201_5k.jpeg</image:loc>
      <image:title>Writing + News - Visions of Spain - Make it stand out</image:title>
      <image:caption>Installation view of “Treasures from the Hispanic Society Library” at the Grolier Club, New York. Photo: Charlie Rubin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/12/fine-prints.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/17f23cb9-3af9-49d7-9c31-78178840714b/Edward+Alexander+Wadsworth_Liverpool+Shipping%2C+1918.jpg</image:loc>
      <image:title>Writing + News - Fine Prints - Make it stand out</image:title>
      <image:caption>Edward Alexander Wadsworth (British, 1889–1949), Liverpool Shipping, 1918, Woodcut on Japanese paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/843bdc04-d200-4eb1-b6a0-cb091d54fde8/Cyril+E+Power_Whence+and+Whither%2C+ca+1930.jpg</image:loc>
      <image:title>Writing + News - Fine Prints - Make it stand out</image:title>
      <image:caption>Cyril E. Power (British, 1872–1951), Whence &amp; Whither?, ca. 1930, Linocut</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/222b348a-722f-4f1f-8f1a-556603d1b218/Sybil+Andrews_Sledgehammers%2C+1933.jpg</image:loc>
      <image:title>Writing + News - Fine Prints - Make it stand out</image:title>
      <image:caption>Sybil Andrews (Canadian (born England), 1898–1992), Sledgehammers, 1933, Color linocut.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/11/new-podcast-robert-erickson-discusses-herodotus-amp-more.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-30</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/11/portrait-of-the-scam-artist.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/20c89a30-3367-40d2-81d6-dd1a86b7973d/Screen+Shot+2021-11-30+at+1.06.34+PM.png</image:loc>
      <image:title>Writing + News - Portrait of the scam artist - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/3c92de49-c4eb-47dc-95c7-6318626f918d/hunter-biden-art-0.jpeg</image:loc>
      <image:title>Writing + News - Portrait of the scam artist - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1886c2d6-e104-4eb0-b204-7e4178c42413/Hunter-Biden-art-2.jpeg</image:loc>
      <image:title>Writing + News - Portrait of the scam artist - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/11/between-art-amp-revolution.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/5ad50a65-0b34-4772-8f8a-6021a3999b36/0000388546_OG.jpeg</image:loc>
      <image:title>Writing + News - Between art &amp;amp; revolution - Make it stand out</image:title>
      <image:caption>Jacques-Louis David, Alexandre Lenoir, 1817, Oil on wood, Louvre, Paris. Photo: © 1988 RMN-Grand Palais (musée du Louvre).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/8ad07d6b-daf6-4e09-a748-76778a5d023a/ago537717-000pe-1.jpeg</image:loc>
      <image:title>Writing + News - Between art &amp;amp; revolution - Make it stand out</image:title>
      <image:caption>Artist unknown, Alexandre Lenoir defends the monuments from the fury of the Terrorists, Eighteenth century, Drawing, Louvre, Paris. Photo: © RMN-Grand Palais (Musée du Louvre)/Thierry Le Mage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/70fa123d-7ad4-46b9-a808-d17983768a5e/AGO020237-000_PE.jpeg</image:loc>
      <image:title>Writing + News - Between art &amp;amp; revolution - Make it stand out</image:title>
      <image:caption>From an album of Alexandre Lenoir and Charles Percier, Heads of the kings of France, Date unknown, Drawing, Louvre, Paris. Photo: © RMN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/f91d6252-9907-4a3e-a544-d7e04eedd955/AGO020009-000_PE.jpeg</image:loc>
      <image:title>Writing + News - Between art &amp;amp; revolution - Make it stand out</image:title>
      <image:caption>From an album of Alexandre Lenoir and Charles Percier, The body of Henry IV exhumed from his grave in 1793, 1793, Drawing, Louvre, Paris. Photo: RMN-Grand Palais/Photo F. Raux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/4641c078-8161-49fc-9425-e66c978a0360/AGO228199-000_PE.jpeg</image:loc>
      <image:title>Writing + News - Between art &amp;amp; revolution - Make it stand out</image:title>
      <image:caption>Jean Lubin Vauzelle, Vue du Musée des Monuments Français, 1816, Drawing, Louvre, Paris. Photo: RMN-Grand Palais /T. Ollivier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/aad207cf-af63-4054-8b04-2ffcc32fcef2/AGO031508-000_PE.jpeg</image:loc>
      <image:title>Writing + News - Between art &amp;amp; revolution - Make it stand out</image:title>
      <image:caption>Artist unknown, Napoleon and Josephine visit the Museum of French Monuments, Nineteenth century, Drawing, Louvre, Paris. Photo: Louvre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/10/gallery-chronicle-november-2021.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1634760176150-22RYCPBB4CC1LY602VMA/LD+1215.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (November 2021) - Make it stand out</image:title>
      <image:caption>Lois Dodd, Sun in Hallway, 1978, Oil on linen, Alexandre Gallery, New York. Photo: Alexandre Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1634761066927-2X982KA1EE1X6UD4RLWX/NEW+OCT+18White+Mountains+6107+photo.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (November 2021) - Make it stand out</image:title>
      <image:caption>John Marin, White Mountains, ca. 1924, Watercolor on paper, Menconi + Schoelkopf Fine Art, New York. © Estate of John Marin / Artists Rights Society (ARS), New York. Photo: Menconi + Schoelkopf Fine Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1634761108009-K9MR8Z6Z8AQQB7UJ09YS/Findlay+Ferren+Exhibition+-+2.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (November 2021) - Make it stand out</image:title>
      <image:caption>Installation view of “John Ferren: From Paris to Springs” at Findlay Galleries. Photo: Findlay Galleries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1634761146970-FZ887CHE1CA1LBOMHSDU/brown_brow_00065_f.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (November 2021) - Make it stand out</image:title>
      <image:caption>Frederick J. Brown, In the Beginning, 1971, Oil on canvas, Berry Campbell, New York. Photo: Berry Campbell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1634761225979-AK8BJU2WV5RD5EBV0LKO/new+19+SW+21114+Storm+Clouds+with+Lightning+copy.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (November 2021) - Make it stand out</image:title>
      <image:caption>Amy Lincoln, Storm Clouds with Lightening, 2021, Acrylic on panel, Sperone Westwater, New York. Photo: Sperone Westwater.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/10/new-podcast-conrad-black-on-the-question-of-decline.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/9/hunter-biden-artist-of-modern-life.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1632400863104-W5GNVQTJIO9ROIXHG1RP/45920047-9827693-image-a-9_1627328708527.jpeg</image:loc>
      <image:title>Writing + News - Hunter Biden, artist of modern life - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1632400884594-JFPTU90T1ZX3JTCLYW1O/merlin_192570129_51710482-bd1d-4e98-82fb-d1b843ef4744-superJumbo.jpeg</image:loc>
      <image:title>Writing + News - Hunter Biden, artist of modern life - Make it stand out</image:title>
      <image:caption>A self-portrait by Hunter Biden. Credit...Hunter Biden and Georges Bergés Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/9/uncut-gems.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1631730492100-348X129TAAEFTVZRX9MW/merlin_159801492_65152e8c-5aaa-4d0b-bd5a-530cdfdf573c-superJumbo+%281%29.jpeg</image:loc>
      <image:title>Writing + News - Uncut Gems - Make it stand out</image:title>
      <image:caption>James A. Oliver, director of the Museum of Natural History, inspecting the case that held jewels stolen from the museum, 1964. Photo: Arthur Brower/The New York Times.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1631730517534-ZLKOK6N68DXLLBWI3XWL/20210618_103513.jpeg</image:loc>
      <image:title>Writing + News - Uncut Gems - Make it stand out</image:title>
      <image:caption>The Star of India (left), the DeLong Star Ruby (center), and the Midnight Sapphire (lower right), on view at the Allison and Roberto Mignone Halls of Gems and Minerals, The American Museum of Natural History. Photo: James Panero.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1631730867147-5APTAWQMW6IXMFYO875N/Screen+Shot+2021-09-15+at+2.32.08+PM.png</image:loc>
      <image:title>Writing + News - Uncut Gems - Make it stand out</image:title>
      <image:caption>Amethyst geode on view at the Allison and Roberto Mignone Halls of Gems and Minerals, The American Museum of Natural History, New York. Photo: © AMNH.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1631730606823-LHQMMDSTTDXFQ4TQ203A/0.jpeg</image:loc>
      <image:title>Writing + News - Uncut Gems - Make it stand out</image:title>
      <image:caption>Elbaite on view at the Allison and Roberto Mignone Halls of Gems and Minerals, The American Museum of Natural History, New York. Photo: James Panero.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/9/bursting-with-color-late-in-life.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1631226502403-T7Y2WYPJ3GBH2VK6VLOD/Screen+Shot+2021-09-09+at+6.26.39+PM.png</image:loc>
      <image:title>Writing + News - Bursting With Color Late in Life - Make it stand out</image:title>
      <image:caption>Alma Thomas’s ‘Blast Off’ (1970) PHOTO: CHRYSLER MUSEUM OF ART</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1631226655956-E9U47TB32YQZCG0PUO7H/Screen+Shot+2021-09-09+at+6.26.48+PM.png</image:loc>
      <image:title>Writing + News - Bursting With Color Late in Life - Make it stand out</image:title>
      <image:caption>Alma Thomas with two students at the Howard University Art Gallery (1928 or after) PHOTO: THE COLUMBUS MUSEUM/CHRYSLER MUSEUM OF ART</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1631226784868-DP6HKM0IMHJAZHM32Q9L/Screen+Shot+2021-09-09+at+6.32.11+PM.png</image:loc>
      <image:title>Writing + News - Bursting With Color Late in Life - Make it stand out</image:title>
      <image:caption>Alma Thomas, 'Air View of a Spring Nursery,' (1966) PHOTO: CHRYSLER MUSEUM OF ART</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2021/8/new-worlds.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1607713967120-N2JQWM5EB7IK82HF96YS/DSCN1445.jpg</image:loc>
      <image:title>Writing + News - Masterpiece: An Iconic Beacon Shines Anew</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/11/porgy-and-best.html</loc>
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    <priority>0.5</priority>
    <lastmod>2020-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1605634879644-CYOUNZF2A7CYNRQHIH74/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Porgy and Best</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/11/escape-vehicle.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1605556121091-4SPQ0X2BY0Q8BNUYZVY4/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Escape Vehicle</image:title>
      <image:caption>Fin de siècle: Dave Cummins’s ‘1960 Chrysler’ design, 1956 (Detroit Institute of Arts/Collection of Brett Snyder)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/10/like-a-rock.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1603301199946-JB2QSIS4NC5JD5E8O5H5/canopy-over-plymouth-rock-coles-hill-plymouth-mass-bcf9d4-640+%281%29.jpg</image:loc>
      <image:title>Writing + News - Like a Rock</image:title>
      <image:caption>Hammat Billings’s baldachin, which housed Plymouth Rock from 1867–1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1603301224157-1JNA7R4P21IU4H1GUP7M/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Like a Rock</image:title>
      <image:caption>The present portico over Plymouth Rock, built by McKim, Mead &amp; White in 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1603301286401-4XT7DV8QVBCKOYOMD1A4/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Like a Rock</image:title>
      <image:caption>The pilgrims John Alden and Mary Chilton landing at Plymouth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1603301305644-SJW1H28IKAEPH8FZ0EVC/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Like a Rock</image:title>
      <image:caption>Plimoth Plantation today.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1603301323571-RA70U3KZ626X6CQF8X1P/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Like a Rock</image:title>
      <image:caption>The Monument to the Forefathers in Plymouth, completed in 1889.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/10/struggle-session.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1602178011804-SQ4BY8ALDU7GSPEY8S97/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Struggle Session</image:title>
      <image:caption>Jacob Lawrence, In all your intercourse with the natives, treat them in the most friendly and conciliatory manner which their own conduct will admit . . . —Jefferson to Lewis &amp; Clark, 1803, 1956, Egg tempera on hardboard. Collection of Harvey and Harvey-Ann Ross. Photo: Bob Packert/PEM; © The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1602178038654-7N5MAM7KTIYZ3MB5GK1I/We+crossed+the+River+at+McKinley+Ferry+9+miles.jpg</image:loc>
      <image:title>Writing + News - Struggle Session</image:title>
      <image:caption>Jacob Lawrence, We crossed the River at McKonkey’s Ferry 9 miles above Trenton . . . the night was excessively severe . . . which the men bore without the least murmur . . . —Tench Tilghman, 27 December 1776, 1954, Egg tempera on hardboard. Collection of Harvey and Harvey-Ann Ross. Photo: Bob Packert/PEM; © The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/9/rear-window.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1599764067071-VFYT5JBANSDLKBPUEAZV/VB90_02Smoking_medium.jpg</image:loc>
      <image:title>Writing + News - Rear Window</image:title>
      <image:caption>Smoking (For Guston), 1989-90, mixed media construction, 17 x 10 3/4 x 1 1/2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1599764201412-E11MXY1QVBPRN7V5N1B8/VB86_01Valentine_medium.jpg</image:loc>
      <image:title>Writing + News - Rear Window</image:title>
      <image:caption>Valentine, 1986, mixed media construction, 15 3/8 x 12 7/8 x 2 5/8 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1599764446190-C8UOW5GEDUA6IW725UG3/VB90_01DuchampsValise_medium.jpg</image:loc>
      <image:title>Writing + News - Rear Window</image:title>
      <image:caption>Duchamp's Valise, 1990, mixed media construction, 11 1/4 x 15 1/4 x 4 1/2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1599764509619-0VL0Y928WKHRVTODBQ24/VB82_01TheArtist_medium.jpg</image:loc>
      <image:title>Writing + News - Rear Window</image:title>
      <image:caption>The Artist, 1982, mixed media construction, 13 x 11 1/4 x 2 1/4 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/8/flowing-color-billowing-canvas.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1597935904604-42OYSYMRFDRJOBF8XAWD/im-221839.jpeg</image:loc>
      <image:title>Writing + News - Flowing Color, Billowing Canvas</image:title>
      <image:caption>Sam Gilliam’s ‘Spread’ (1973) PHOTO: SAM GILLIAM/ARTISTS RIGHTS SOCIETY/ BILL JACOBSON (PHOTO)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1597935863187-2YHD22893O510NV7VVVU/im-221837.jpeg</image:loc>
      <image:title>Writing + News - Flowing Color, Billowing Canvas</image:title>
      <image:caption>Sam Gilliam’s ‘Double Merge’ (1968)PHOTO: SAM GILLIAM/ARTISTS RIGHTS SOCIETY/BILL JACOBSON (PHOTO)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/8/a-classical-illness.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1597863422347-FHK8H8QPMCBMJ75B52VD/image-asset.jpeg</image:loc>
      <image:title>Writing + News - A Classical Illness</image:title>
      <image:caption>The Surrogates Court Building on Chambers Street, Manhattan. Photo: Todd Maisel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1597863449590-1NHHZ5C14HZLR8IPDUHV/All_Front-View-Day+%281%29.jpg</image:loc>
      <image:title>Writing + News - A Classical Illness</image:title>
      <image:caption>Architectural plan from the 2013 renovation of Roosevelt Hall, American Museum of Natural History, front view. Photo: Roche Dinkeloo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1597863484615-5WDFF2A6TJMBIOMPP7JI/image-asset.jpeg</image:loc>
      <image:title>Writing + News - A Classical Illness</image:title>
      <image:caption>Architectural plan from the 2013 renovation of Roosevelt Hall, American Museum of Natural History, side view. Photo: Roche Dinkeloo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/6/new-podcast-eric-gibson-on-the-necessity-of-sculpture.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-18</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/5/the-woman-who-saw-the-future.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1590002375302-1UU9LRNYI6AEFU85N9EY/jss200227134-1.jpeg</image:loc>
      <image:title>Writing + News - The Woman Who Saw the Future</image:title>
      <image:caption>John Singer Sargent, Portrait of Anna Bowman Dodd, ca. 1900, Charcoal on paper, American Academy of Arts and Letters, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1590003320788-NCR9PP9C3OWBV87H55TS/authentic-decorative-books-collectible-1887-cathedral-days-tour-of-southern-england-by-anna-bowman-dodd.jpg</image:loc>
      <image:title>Writing + News - The Woman Who Saw the Future</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1590003351419-CMNCXUGS1LNCD1PQ4DD2/27033.jpg</image:loc>
      <image:title>Writing + News - The Woman Who Saw the Future</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1590003332916-H09THWGFOSBI8AQ5XFYH/2329.jpg</image:loc>
      <image:title>Writing + News - The Woman Who Saw the Future</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1590003305775-9ZIO5VZXFI2U1FJEJ3OR/palaces-sultan-anna-bowman-dodd-hc_1_2f9b2cd2972a7ec94e6dfed17695d4ac.jpg</image:loc>
      <image:title>Writing + News - The Woman Who Saw the Future</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1590002449257-9VPEQ55LCN5CSBC1OM3R/image-asset.png</image:loc>
      <image:title>Writing + News - The Woman Who Saw the Future</image:title>
      <image:caption>The title page of The Republic of the Future (1887) by Anna Bowman Dodd.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/4/like-the-plague.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587576929139-LQLBT9QP1BFAOWH53UG2/VeniceTour.jpg</image:loc>
      <image:title>Writing + News - Like the Plague</image:title>
      <image:caption>The author and company before the facade of the Chiesa di San Sebastiano, Venice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587576986416-CGVA191QIYSPC97NWD6A/SaintRochHospital-302-295-3479-1326-1587423274.jpg</image:loc>
      <image:title>Writing + News - Like the Plague</image:title>
      <image:caption>Tintoretto, St. Roch Visiting the Plague Victims, 1549, Oil on canvas, Scuola Grande di San Rocco, Venice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587577169019-RYTYC10LT34R9DFVN6PA/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Like the Plague</image:title>
      <image:caption>Tintoretto, St. Roch in Prison Comforted by an Angel, 1567, Oil on canvas, Scuola Grande di San Rocco, Venice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587577193950-G3VIS8MRI7DTXVSUGS1H/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Like the Plague</image:title>
      <image:caption>Paolo Veronese, Madonna in Glory with St. Sebastian and other Saints, 1570, Oil on canvas, Chiesa di San Sebastiano, Venice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587577239945-VD01IOEAVX2J074WPMN6/SaluteImage.jpg</image:loc>
      <image:title>Writing + News - Like the Plague</image:title>
      <image:caption>The Santa Maria della Salute in Venice. Photo: Moonik/Wikimedia Commons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/4/monumental-madness.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587341435239-TE3NS7R6K4V0740OP511/20200302_152259+%281%29.jpg</image:loc>
      <image:title>Writing + News - Monumental Madness</image:title>
      <image:caption>The Soldiers’ and Sailors’ Monument. Photo by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587341506515-J05D56U1AM9WKFH8TIYY/ssimage1.jpg</image:loc>
      <image:title>Writing + News - Monumental Madness</image:title>
      <image:caption>The Soldiers’ and Sailors’ Monument. Photo by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587341562132-OAX22JSOX74VNEWG0IN0/k16473-0-20-740-585-1584541615.jpg</image:loc>
      <image:title>Writing + News - Monumental Madness</image:title>
      <image:caption>The Soldiers’ and Sailors’ Monument, pictured during a naval review in 1945.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1587341594093-XM0OP758CITMR9VZKTEO/riverside+%281%29.jpg</image:loc>
      <image:title>Writing + News - Monumental Madness</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/3/intriguing-history-hits-a-sour-note.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1584720076370-W67IZHJ2CFBKM5GGW6XI/im-165219.jpeg</image:loc>
      <image:title>Writing + News - Intriguing History Hits a Sour Note</image:title>
      <image:caption>Ayana V. Jackson’s ‘Judgment of Paris’ (2018) PHOTO: AYANA V. JACKSON/MARIANA IBRAHIM GALLERY, CHICAGO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1584720126125-M3QWBTXRQZAJWPKJYPXO/im-165220.jpeg</image:loc>
      <image:title>Writing + News - Intriguing History Hits a Sour Note</image:title>
      <image:caption>Hale Woodruff’s ‘The Card Players’ (1930) PHOTO: THE METROPOLITAN MUSEUM OF ART, NEW YORK</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/2/new-podcast-jay-nordlinger-discusses-music-criticism.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-25</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/2/bird-brained-at-the-frick.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1582315241442-C27LFZ62LDIWTRFPEJK4/download-3.jpg</image:loc>
      <image:title>Writing + News - Bird-brained at the Frick</image:title>
      <image:caption>Engraved bookplate, commissioned by Helen Clay Frick, showing her father Henry Clay Frick in the Living Hall of his New York residence. With facsimile inscription: “Those who do not read are going back instead of progressing.” Quotation is taken from a letter from Frick to his daughter dated 7 July 1903. Courtesy of The Frick Collection/Frick Art Reference Library Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1582315267724-UYDEGXAB4XCOED8WCOQK/PorteCochere.jpg</image:loc>
      <image:title>Writing + News - Bird-brained at the Frick</image:title>
      <image:caption>View of the original driveway of the Frick residence at One East 70th Street, leading into the porte-cochère toward Seventy-first Street. The entrance underwent significant renovations in 1935. Photo: Ira W. Martin, 1927. Courtesy of The Frick Collection/Frick Art Reference Library Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1582315291768-YVL720FVR1YUSZQAPYCO/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Bird-brained at the Frick</image:title>
      <image:caption>John Russel Pope’s Garden Court, viewed from just beneath what used to be the driveway’s porte-cochère. Courtesy of The Frick Collection/Frick Art Reference Library Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1582315333915-HCT3CDYBHZUDY9OHOUUC/image-asset.png</image:loc>
      <image:title>Writing + News - Bird-brained at the Frick</image:title>
      <image:caption>A map of the Frick’s current floorplan. Courtesy The Frick Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1582315358636-K4CSREZ8ON9HZRL4YP0C/image-asset.png</image:loc>
      <image:title>Writing + News - Bird-brained at the Frick</image:title>
      <image:caption>A rendering of the proposed renovations by Selldorf Architects, viewed from Seventieth Street</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1582315420197-RY2WMPFH3XJ0Z6OUA9ED/image-asset.png</image:loc>
      <image:title>Writing + News - Bird-brained at the Frick</image:title>
      <image:caption>Plans for the Music Room’s demolition and the proposed replacement, a “special exhibitions” space.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2020/1/stayin-alive-in-75.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1580497460845-RC56TN3WVC3LHRXNXLEC/xenonvillage.jpg</image:loc>
      <image:title>Writing + News - Stayin' Alive in '75</image:title>
      <image:caption>Members of the Village People at Xenon, June 1978</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1580497491375-KZFHU6X8R0SW14A6F6QX/1977copa.jpg</image:loc>
      <image:title>Writing + News - Stayin' Alive in '75</image:title>
      <image:caption>‘Two Queens’, Hookers Ball at the Copacabana, February 1977</image:caption>
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    <loc>https://jamespanero.com/writing/2018/6/gallery-chronicle-june-2018.html</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2018-06-04</lastmod>
    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (June 2018)</image:title>
      <image:caption>Will St. John, untitled, 2018, Oil on linen, Robert Simon Fine Art.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1528137774555-LVZA81TD9OA6OLR9MA2O/image-asset.png</image:loc>
      <image:title>Writing + News - Gallery Chronicle (June 2018)</image:title>
      <image:caption>Paul Resika, Blue Night, 2017, Oil on canvas, Bookstein Projects.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1528137802648-JHF1I7U2KSE2JQV50EOJ/image-asset.png</image:loc>
      <image:title>Writing + News - Gallery Chronicle (June 2018)</image:title>
      <image:caption>Marc de Montebello, View of Jodhpur, 2015, Oil on canvas, W. M. Brady &amp; Co.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (June 2018)</image:title>
      <image:caption>Julia Kunin, Green Bismuth Head, 2013, Ceramic, Honey Ramka.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1528137867966-OERJ52PM66FPXJZEPK2V/image-asset.png</image:loc>
      <image:title>Writing + News - Gallery Chronicle (June 2018)</image:title>
      <image:caption>Meryl Meisler,Mr. Katz was mugged by two kids who found him dozing in front of his TV in his living room,  1978, Photograph, the Storefront Project.</image:caption>
    </image:image>
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  <url>
    <loc>https://jamespanero.com/writing/2018/5/new-podcast-victor-davis-hanson-discusses-burke-today.html</loc>
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    <lastmod>2018-05-31</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/5/gallery-chronicle-may-2018.html</loc>
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    <lastmod>2018-05-01</lastmod>
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      <image:title>Writing + News - Gallery Chronicle (May 2018)</image:title>
      <image:caption>Installation view, “Jasper Johns: ‘Something Resembling Truth’.” Photo: Pablo Enriquez</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1525194239001-882U2HI5HSUUH155S7NN/image-asset.png</image:loc>
      <image:title>Writing + News - Gallery Chronicle (May 2018)</image:title>
      <image:caption>James Little, Apache, 2017, Oil on stained linen, June Kelly Gallery.</image:caption>
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      <image:title>Writing + News - Gallery Chronicle (May 2018)</image:title>
      <image:caption>John Bradford, Publication of the Declaration, 2017, Acrylic, oil on canvas, Anna Zorina Gallery.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (May 2018)</image:title>
      <image:caption>David Hockney, Still life, 2017, Oil on canvas, Pace Gallery.</image:caption>
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  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/4/new-podcast-david-yezzi-on-poetry.html</loc>
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    <lastmod>2018-04-17</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/4/gallery-chronicle-april-2018.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (April 2018)</image:title>
      <image:caption>Stephen Shore, Holden Street, North Adams, Massachusetts, July 13, 1974, 1974, Chromogenic color print, the Museum of Modern Art.</image:caption>
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      <image:title>Writing + News - Gallery Chronicle (April 2018)</image:title>
      <image:caption>Installation view, “California Landscapes: Richard Diebenkorn | Wayne Thiebaud” at Acquavella Galleries.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1522681329695-WXPJJEAAE7920AXAQPAZ/Scully_Night_20030.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (April 2018)</image:title>
      <image:caption>Sean Scully, Night, 2003, Oil on linen, Mnuchin Gallery.</image:caption>
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  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/4/culture-of-denial.html</loc>
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    <lastmod>2018-04-02</lastmod>
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  <url>
    <loc>https://jamespanero.com/writing/2018/3/new-podcast-dominic-green-on-puttin-on-the-style.html</loc>
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    <lastmod>2018-04-02</lastmod>
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  <url>
    <loc>https://jamespanero.com/writing/2018/3/burning-cole.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-01</lastmod>
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      <image:caption>The Leader of the Luddites, 1812, Hand-colored etching, British Museum, London</image:caption>
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      <image:title>Writing + News - Burning Cole</image:title>
      <image:caption>Thomas Cole, View of the Round-Top in the Catskill Mountains (Sunny Morning on the Hudson), 1827, Oil on panel, Museum of Fine Arts, Boston</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1519926453288-OQS9HKLTA17SDZ45XX3P/N00490_10.jpg</image:loc>
      <image:title>Writing + News - Burning Cole</image:title>
      <image:caption>Joseph Mallord William Turner, Snow Storm: Hannibal and His Army Crossing the Alps, 1812, Oil on canvas, Tate Britain, London.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1519926554147-8J3HANC66BL4Z3GZ1ITO/hb_08.228.jpg</image:loc>
      <image:title>Writing + News - Burning Cole</image:title>
      <image:caption>Thomas Cole, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836, Oil on canvas, The Metropolitan Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/2/gallery-chronicle-february-2018.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1517938117816-YIUFK2JSXI6VBCXKQC7X/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (February 2018)</image:title>
      <image:caption>Norman Rockwell, Shuffleton’s Barbershop, 1950,  Oil on canvas, Sotheby’s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1517938177807-IH4UCLXMFNB6YM7RMDPY/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (February 2018)</image:title>
      <image:caption>Ann Purcell, Race Point, 1982, Acrylic and collage on canvas, Berry Campbell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1517938223555-MRXT9AJNIP6DNR3JBWOJ/BGpilgrimage.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (February 2018)</image:title>
      <image:caption>Ben Godward, Pilgrimage (The Narrow Place), 2017,Pigmented resin, Sean Scully Studios</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1517938259266-S5CNJ813XIDQNPMEZHKM/image-asset.jpeg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (February 2018)</image:title>
      <image:caption>Installation vew, “Katherine Bernhardt: Green” at Canada. Photo: Canada</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/1/new-podcast-marco-grassi-on-e-v-thaw.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-29</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/1/wsj-a-brief-history-of-idol-smashers.html</loc>
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    <priority>0.5</priority>
    <lastmod>2018-02-22</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/1/new-podcast-michael-j-lewis-on-vincent-scully.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-16</lastmod>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2018/1/gallery-chronicle-january-2018.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1514917493822-WLYQ5PHJB1P9OJW66504/1_Gonzalo+Fonseca+in+his+quarry+studio+in+Seravezza-c1979.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (January 2018)</image:title>
      <image:caption>Gonzalo Fonseca in his quarry studio in Saravezza, Italy, 1979. Photo: Estate of Gonzalo Fonseca</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1514917801645-67MD3BB9NSQVCWSDDKMM/5-The-Noguchi-Museum-The-Sculpture-of-Gonzalo-Fonseca-Photo-by-Nicholas-Knight.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (January 2018)</image:title>
      <image:caption>Installation view, “The Sculpture of Gonzalo Fonseca.” Photo: Nicholas Knight / The Isamu Noguchi Foundation and Garden Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1514917843624-BOKNU0TTNE06ACI6SZH2/LD13_ViewThroughElliotsShack_medium.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (January 2018)</image:title>
      <image:caption>Lois Dodd, View Through Elliot’s Shack, Looking South, 1971, Oil on linen, Alexandre Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1514917946094-GWNCFMMIQDS9K1FWB09O/LD76_26MoonlitRoadNJ_medium.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (January 2018)</image:title>
      <image:caption>Lois Dodd, Moonlit Road, NJ, 1976, Oil on masonite, Alexandre Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1514917991064-SFQX6MN1PBRB6EKUZ9E2/y-20.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (January 2018)</image:title>
      <image:caption>Installation view, “Circles: Early + Late” at Yares Art. Photo: Yares Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1514918045863-4UOD8ABV3MG2KTTBVGR2/KN_Mysteries+Magic+Theatre.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (January 2018)</image:title>
      <image:caption>Kenneth Noland, Magic Theatre, 2000, Acrylic on canvas, Yares Art</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (January 2018)</image:title>
      <image:caption>Elizabeth Murray, Wake Up, 1981, Oil on canvas, Pace Gallery. Photo: Ellen Labenski.</image:caption>
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  <url>
    <loc>https://jamespanero.com/writing/2017/12/a-taste-for-hansel-and-gretel.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-22</lastmod>
    <image:image>
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      <image:caption>Lisette Oropesa and Tara Erraught in Hansel and Gretel. Photo: Marty Sohl / Metropolitan Opera</image:caption>
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    <image:image>
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      <image:title>Writing + News - A Taste for "Hansel and Gretel"</image:title>
      <image:caption>Lisette Oropesa, Tara Erraught, and Gerhard Siegel in Hansel and Gretel. Photo: Marty Sohl / Metropolitan Opera</image:caption>
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  </url>
  <url>
    <loc>https://jamespanero.com/writing/2017/12/andrew-wyeth-forever.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-01</lastmod>
    <image:image>
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      <image:title>Writing + News - Andrew Wyeth Forever</image:title>
      <image:caption>Andrew Wyeth in 1983. Photo: Bruce Weber / Agence France-Presse—Getty Images</image:caption>
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    <image:image>
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      <image:title>Writing + News - Andrew Wyeth Forever</image:title>
      <image:caption>Andrew Wyeth, Christina’s World, 1948, Tempera on panel, The Museum of Modern Art.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Andrew Wyeth Forever</image:title>
      <image:caption>The view today of Kuerner’s Hill from Kuerner Farm. Photo: James Panero</image:caption>
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    <image:image>
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      <image:title>Writing + News - Andrew Wyeth Forever</image:title>
      <image:caption>Still from King Vidor’s The Big Parade. Photo: Jeff Rapsis</image:caption>
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  <url>
    <loc>https://jamespanero.com/writing/2017/11/hall-of-flame.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-01</lastmod>
    <image:image>
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      <image:title>Writing + News - Hall of Flame</image:title>
      <image:caption>Boy scouts admire the bust of Abraham Lincoln in an undated photograph.</image:caption>
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    <image:image>
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      <image:title>Writing + News - Hall of Flame</image:title>
      <image:caption>Stanford White’s Gould Memorial Library soon after its completion. Photo: New York University Archives</image:caption>
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      <image:title>Writing + News - Hall of Flame</image:title>
      <image:caption>McKim, Mead &amp; White original architectural plans for Gould Memorial Library. Photo: New York University Archives</image:caption>
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    <image:image>
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      <image:title>Writing + News - Hall of Flame</image:title>
      <image:caption>The Rotunda of Gould Memorial Library. Photo: James Panero</image:caption>
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    <image:image>
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      <image:title>Writing + News - Hall of Flame</image:title>
      <image:caption>The pedastal that formerly held the bust of “Stonewall” Jackson, soon after its removal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1509550787454-N9LV60O75UWTDQ9R2EAV/1969-Arson-Gould.jpg</image:loc>
      <image:title>Writing + News - Hall of Flame</image:title>
      <image:caption>The auditorium of Gould Memorial Library in 1969, after being firebombed during student protests. Photo: New York University Archives</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamespanero.com/writing/2017/10/gallery-chronicle-october-2017.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1506970310783-T2AY9QQ3F0ZP6ZLHMSR3/1174b388b7d88f8028bb979c1c618f78.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (October 2017)</image:title>
      <image:caption>Robert Motherwell, The Hotel Corridor, 1950, Oil on masonite, Paul Kasmin Gallery</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (October 2017)</image:title>
      <image:caption>Installation view of  “Caro &amp; Olitski: 1965–1968, Painted Sculptures and the Bennington Sprays” at Paul Kasmin Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1506970425440-91BNPKKS6XE7Z4CCOT2Z/burchfield2.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (October 2017)</image:title>
      <image:caption>Charles Burchfield, Lilacs No. 2, 1963, Watercolor on pieced paper, Paul Kasmin Gallery</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (October 2017)</image:title>
      <image:caption>Installation view of “The Thing Unseen: A Centennial Celebration of Nicolas Carone.” Photo: the New York Studio School.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (October 2017)</image:title>
      <image:caption>Christopher Wilmarth, Macquette for “Days on Blue”,  ca. 1974, Glass and steel, Betty Cunningham Gallery</image:caption>
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    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (October 2017)</image:title>
      <image:caption>Eric Brown, White Triangle, 2017, Oil on linen, Theodore:Art</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1506970573398-BOKT24Z5QTEDM659JEUG/meg-hitchock-king-of-prayers-2017.jpg</image:loc>
      <image:title>Writing + News - Gallery Chronicle (October 2017)</image:title>
      <image:caption>Meg Hitchock, King of Prayers, 2017, Mixed media, Studio 10</image:caption>
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  </url>
  <url>
    <loc>https://jamespanero.com/writing/2017/9/new-podcast-david-pryce-jones-on-miosz-among-the-ruins.html</loc>
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    <priority>0.5</priority>
    <lastmod>2018-02-28</lastmod>
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    <loc>https://jamespanero.com/writing/2017/9/death-of-taste-in-venice.html</loc>
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    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
    <image:image>
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      <image:title>Writing + News - Death of Taste in Venice</image:title>
      <image:caption>Mark Bradford, Installation shot, “Tomorrow is Another Day,” 2017. Photo: Francesco Galli, © La Biennale di Venezia</image:caption>
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    <image:image>
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      <image:title>Writing + News - Death of Taste in Venice</image:title>
      <image:caption>Anne Imhof, “Faust,” 2017. Photo: Francesco Galli, © La Biennale di Venezia</image:caption>
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    <image:image>
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      <image:title>Writing + News - Death of Taste in Venice</image:title>
      <image:caption>Xavier Veilhan, Installation shot, “Studio Venezia,” 2017. Photo: Francesco Galli, © La Biennale di Venezia</image:caption>
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    <image:image>
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      <image:title>Writing + News - Death of Taste in Venice</image:title>
      <image:caption>Damien Hirst, Demon with Bowl (Exhibition Enlargement), 2017, Bronze, Palazzo Grassi. Photo: Prudence Cuming Associates © Damien Hirst and Science Ltd.</image:caption>
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      <image:title>Writing + News - Death of Taste in Venice</image:title>
      <image:caption>Damien Hirst, Sphinx, 2017, Palazzo Grassi. Photo: Prudence Cuming Associates © Damien Hirst and Science Ltd.</image:caption>
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  <url>
    <loc>https://jamespanero.com/writing/2017/8/discovering-modernisms-neglected-spur.html</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-08</lastmod>
    <image:image>
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      <image:title>Writing + News - Discovering Modernism’s Neglected Spur</image:title>
      <image:caption>‘The Dawn of Labor (L’aurore du travail)’ (c. 1891), by Charles Maurin PHOTO: YVES BRESSON, MUSŽE DÕART MODERNE ET CONTEMPORAIN, FRANCE</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1502212369930-SQ07ARXVJ7RI6D4BFZYT/BN-UO375_MYSTIC_750RV_20170804145157.jpg</image:loc>
      <image:title>Writing + News - Discovering Modernism’s Neglected Spur</image:title>
      <image:caption>Carlos Schwabe’s poster for the first Salon de la Rose+Croix (1892) PHOTO: THE MUSEUM OF MODERN ART/LICENSED BY SCALA/ART RESOURCE, NEW YORK</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57c5f1cee58c62365cb1cab4/1502212399282-VGVDSA9LB93QNJAYPL1B/BN-UO376_MYSTIC_1000V_20170804145222.jpg</image:loc>
      <image:title>Writing + News - Discovering Modernism’s Neglected Spur</image:title>
      <image:caption>Pierre Amédée Marcel-Béronneau’s ‘Orpheus in Hades (Orphée)’ (1897) PHOTO: CLAUDE ALMODOVAR/COLLECTION DU MUSEE DES BEAUX-ARTS, MARSEILLE</image:caption>
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    <image:image>
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      <image:title>Writing + News - Discovering Modernism’s Neglected Spur</image:title>
      <image:caption>‘The Death of Orpheus (Orphée mort)’ (1893), by Jean Delville PHOTO: ROYAL MUSEUMS OF FINE ARTS, BELGIUM, BRUSSELS: J. GELEYNS-RO SCAN</image:caption>
    </image:image>
  </url>
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    <loc>https://jamespanero.com/writing/2017/6/gallery-chronicle-june-2017.html</loc>
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    <priority>0.5</priority>
    <lastmod>2017-06-01</lastmod>
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      <image:title>Writing + News - Gallery Chronicle (June 2017)</image:title>
      <image:caption>Tweet of an image from the 2017 Met Gala</image:caption>
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    <image:image>
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      <image:title>Writing + News - Gallery Chronicle (June 2017)</image:title>
      <image:caption>Tweet from the 2017 Met Gala by Marc Jacobs</image:caption>
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      <image:title>Writing + News - Gallery Chronicle (June 2017)</image:title>
      <image:caption>Frieze New York. Photo: Mark Blower / Frieze</image:caption>
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      <image:title>Writing + News - Gallery Chronicle (June 2017)</image:title>
      <image:caption>Sculpture by Carol Bove. Photo: Mark Blower / Frieze</image:caption>
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      <image:caption>TEFAF New York Spring at the Park Avenue Armory. Photo: TEFAF</image:caption>
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      <image:title>Writing + News - Gallery Chronicle (June 2017)</image:title>
      <image:caption>Booth at TEFAF New York Spring. Photo: TEFAF</image:caption>
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  </url>
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    <loc>https://jamespanero.com/writing/2017/5/the-whitneys-identity-problem.html</loc>
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    <priority>0.5</priority>
    <lastmod>2017-05-01</lastmod>
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      <image:title>Writing + News - The Whitney's Identity Problem</image:title>
      <image:caption>Dana Schutz, Open Casket, 2017, Oil on canvas. Photo: Dana Schutz / Petzel</image:caption>
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      <image:title>Writing + News - The Whitney's Identity Problem</image:title>
      <image:caption>Viewers react to Real Violence by Jordan Wolfson. Photo: W Magazine</image:caption>
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      <image:title>Writing + News - The Whitney's Identity Problem</image:title>
      <image:caption>Pope.L aka William Pope.L, Claim (Whitney Version), 2017, Whitney Museum of American Art, New York. Courtesy Mitchell-Innes &amp; Nash, New York. Photo: Matthew Carasella.</image:caption>
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      <image:title>Writing + News - The Whitney's Identity Problem</image:title>
      <image:caption>Henry Taylor, The 4th, 2012–17, and THE TIMES THAY AINT A CHANGING, FAST ENOUGH!, 2017, Whitney Museum of American Art, New York. Courtesy Blum &amp; Poe. Photo: Matthew Carasella.</image:caption>
    </image:image>
  </url>
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    <loc>https://jamespanero.com/writing/2017/4/new-york-history-goes-into-hiding.html</loc>
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    <priority>0.5</priority>
    <lastmod>2017-04-27</lastmod>
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  <url>
    <loc>https://jamespanero.com/writing/2017/4/discussing-the-2017-new-criterion-poetry-issue.html</loc>
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    <priority>0.5</priority>
    <lastmod>2017-04-21</lastmod>
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    <lastmod>2018-09-20</lastmod>
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    <lastmod>2017-04-03</lastmod>
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      <image:caption>Caetlynn Booth, Selvage, 2014–16, Oil on panel, On display at the American Academy of Arts and Letters.</image:caption>
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      <image:caption>Paul Resika, Blue Sail, 1997–98, Oil on canvas.</image:caption>
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      <image:title>Writing + News - Gallery Chronicle (April 2017)</image:title>
      <image:caption>Brece Honeycutt, bewildered: yellow haze, 2017, Eco-dyed damask textile and eco-dyed thread.</image:caption>
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      <image:title>Writing + News - Gallery Chronicle (April 2017)</image:title>
      <image:caption>Rebecca Murtaaugh, Accretion: Gladiolus and Ultraviolet, 2017, Wood, paint, and mixed media.</image:caption>
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    <lastmod>2017-03-23</lastmod>
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      <image:title>Writing + News - Dana Gordon: New Painting</image:title>
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    <lastmod>2018-09-20</lastmod>
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      <image:caption>“The Ice Hole, Maine” (1908-09).</image:caption>
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      <image:caption>Hartley’s “Lobster Fishermen” (1940-41). Credit: Marsden Hartley/The Metropolitan Museum of Art</image:caption>
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      <image:caption>Marsden Hartley, Mt. Katahdin, Maine, No. 2</image:caption>
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    <lastmod>2017-03-01</lastmod>
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      <image:title>Writing + News - From Russia with Love</image:title>
      <image:caption>Christian Cornelius (Xan) Krohn, portrait of Serguei Shchukin, 1916. Oil on canvas, 191 × 88 cm, The State Hermitage Museum, Saint Petersburg</image:caption>
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      <image:caption>Red Room (Harmony in Red) (1908) by Henri Matisse; The State Hermitage Museum, St. Petersburg.</image:caption>
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      <image:caption>The “Salle Gaugin” of the original Shchukin Collection. Photo: Fondation Louis Vuitton</image:caption>
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    <lastmod>2017-02-15</lastmod>
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    <lastmod>2017-02-01</lastmod>
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      <image:title>Writing + News - Old Museums, New Tricks</image:title>
      <image:caption>The Hall of Northwest Coast Indians at the American Museum of Natural History, c. 1920</image:caption>
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      <image:caption>Franz Boas with a ceremonial mask from the Northwest Coast</image:caption>
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      <image:title>Books</image:title>
      <image:caption>FUTURE TENSE Chapter on "What's a Museum?"</image:caption>
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      <image:title>Books</image:title>
      <image:caption>OLD HOUSE OF FEAR: A Novel by Russell Kirk New introduction by James Panero</image:caption>
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      <image:title>Books</image:title>
      <image:caption>COUNTERPOINTS Chapters on Milton Avery &amp; Randall Jarrell</image:caption>
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      <image:title>Books</image:title>
      <image:caption>BUSHWICK CHRONICLE: PHOTOGRAPHY BY MERYL MEISLER, WRITING BY JAMES PANERO Forthcoming</image:caption>
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      <image:title>Books</image:title>
      <image:caption>THE HOLIDAY DRAWINGS OF JAMES ROSS SHIPLEY, 1947–1988 Edited and with an introduction by James Panero</image:caption>
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      <image:caption>MAKING HISTORY BUSHWICK Chapter on "Making History"</image:caption>
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      <image:title>Books</image:title>
      <image:caption>THE STATE OF ART CRITICISM Discussion with Dave Hickey, Lynne Cooke, James Panero, Ariella Budick, James Elkins, Gaylen Gerber, Stephen Melville &amp; Michael Newman</image:caption>
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      <image:title>Books</image:title>
      <image:caption>THE DARTMOUTH REVIEW PLEADS INNOCENT Edited by James Panero and Stefan Beck</image:caption>
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