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Critic's Pick: Steve Mumford at Postmasters

 

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Steve Mumford, "Anbar" 2016, oil on linen, 60 x 96 inches

James writes: 

My Critic's Pick this week- “Steve Mumford: Recent Paintings,” at Postmasters (Through June 18)

For Steve Mumford, the politics of war are personal. As an artist embedded with the U.S. military over a ten-year period in both Afghanistan and Iraq, Mumford creates latter-day history painting for latter-day conflicts. His focus is not on some triumphant leader crossing the Alps but the full range of people caught up in the tide of war.

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Steve Mumford, "Trisha and Brian at Camp X-Ray, Guantanamo," 2016, oil on canvas, 120 x 192 inches (10 x 16 feet)

Now at Postmasters through June 18, Mumford is showing his latest compositions—drawn from numerous field studies—that tell their stories in a scale ranging from the small to the cinematic.

Looking for the tiniest clues—from the details of clothing to one’s pose and expression—Mumford’s photorealism brings the unseen people of war into sharper focus than any photograph.

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Steve Mumford, "Female Barracks (study)," 2016, oil on linen, 24 x 24 inches

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A Great Day in Bushwick

BUSHWICK DOCUMENTATION PROJECT from James Kalm on Vimeo.

James writes: It was a great day in Bushwick on Saturday as over seventy five artists, gallerists, journalists, and organizers joined photographer Meryl Meisler and me at Stout Projects to take part in the Bushwick Documentation Project. A big thank you to Hyperallergic, Bushwick Daily, and Bedford & Bowery for helping to spread the word of this all-inclusive open call. Meryl's photographs and my writing of this great day will appear in our exhibition at Stout Projects over Bushwick Open Studios in October 2016. In the meantime, here is some documentation of the documentation including a great video by James Kalm

 

 

Outtake: Bushwick Documentation Project. @merylmeisler @paulbehnke @robinlstout

A photo posted by James Panero (@jamespanero) on

 

Outtake: Bushwick Documentation Project. @merylmeisler @paulbehnke @robinlstout

A photo posted by James Panero (@jamespanero) on

 

We all know that Bushwick Open Studios is slated for October this year rather its customary first-weekend-in-June dateline, but that doesn't mean that the organization that puts it all together, Arts in Bushwick, is idle this weekend. Today, for instance, was a huge photo session helmed by the champion photographer and storied documentarian of Bushwick, Meryl Meisler, and her critical counterpart in Bushwick-art-ography, the writer James Panero. They were the patient ringleaders of a shoot involving scores of BOS veterans and local gallerists for AiB's ambitious book project, now nearly wrapped up. Lots of familiar faces, lots more who surely should've been there. A few kids and twice as many dogs. All in front of and upstairs at host gallery Stout Projects. And all very fun. Meryl, center here, is a photographic—and photogenic—ringleader par excellence. Also of note: Tomorrow is Bushwick Community Day in Irving Park. With a bit of transposition, AiB could stand for 'Anything But Inactive.' An active weekend for AiB, for sure. And a big hats off to James and Meryl for pulling off today's shoot with such apparent ease. @artsinbushwick @merylmeisler @jamespanero @bibibrazil @stoutprojects #nycart #brooklynart #bushwickart #bushwickopenstudios #artsinbushwick #bushwickdocumentationproject #photoshoot #jamespanero #merylmeisler #bushwickartgalleries #bushwickartists

A photo posted by Paul D'Agostino (@postuccio) on

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Bushwick Documentation Project

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"Meryl Meisler, James Panero, and Paul Behnke for Bushwick Documentation Project" Photograph by Meryl Meisler, 2016
 
James writes: 

The arts of Bushwick have been defined by their self-creation: a remarkable flowering nurtured by a network of self-made institutions, from apartment galleries to non-profit collaborations. Just as in Montparnasse a century ago, no one style has dominated Bushwick’s artistic scene. Instead a spirit of collaboration and DIY experimentation has defined it.

As a critic, I have been followed the neighborhood's developments with great interest. I've found much to see and much to write about. Yet just as with other historical arts neighborhoods, from Montmartre to Tenth Street, I am also aware that Bushwick will one day cease to be a place of artistic relevance—not necessarily as artists are pushed out, but as non-artists push in.

History is often lost in such transitions, which is why the Bushwick community now rightly regards documentation as among its important, lasting self-creations. I am therefore delighted to join Meryl Meisler, the original Bushwick photographer, in creating the Bushwick Documentation Project. I therefore invite all Bushwick artists, gallerists, journalists, and organizers to come see us for a group photograph on June 4.

 

Who: All BOS16 artists, Gallerists, Journalists, and Organizers

What: Group portrait by Meryl Meisler

When: Saturday, June 4th 11 AM sharp (*rain date: Sunday June 5, 11 AM)

Where: outside Stout Projects, 55 Meadow Street, (Bet. Bogart & Morgan)

How: Come as you are.

Why: Because we are our own art history.

How to learn more and sign up for the photograph. 

Meryl Meisler writes: 

When I was a public school teacher in Bushwick during the 1980s & early 90s, on the surface the art scene seemed limited to the graffiti and wall murals dedicated to lives lost too soon.  Inside classrooms of art teachers like myself the arts were flourishing.  Several Bushwick art teachers and I formed "Artists Teachers Concerned," dedicated to exhibiting the socially motivated artwork by our students.

I thought, back then, that Bushwick had beautiful light- and I carried my camera with me daily to capture the light, the struggles and joys of life I witnessed. It did surprise me that those snapshots are now appreciated as both art and history.  It didn't surprise me decades later; the same open spaces light would attract artists. The huge numbers of artists who have come make Bushwick their home and/or studio is amazing.

I have never lived nor had a studio in Bushwick; I taught there from 1981 - 1994. The streets and public places are my studio. I am very grateful to be accepted as part of the extended Bushwick arts community and have participated in Bushwick Open Studios steadily since 2012; positively changing my life and career.

It is my honor to be invited to collaborate with James Panero to document the movers, shakers, and mutually supportive creative community that yearns for Bushwick to remain affordable and accessible to long time residents and newcomers alike.

ROBIN STOUT, Director, Stout Projects:

The vibrant art scene and the strong sense of community in Bushwick are the reasons I wanted to open a gallery here. I’m excited to see it captured forever through this documentation project.

PAUL BEHNKE, Associate Director, Stout Projects:

Being an artist in this city is more than the next work. It's a connection with a past, a history and a lineage. This project sets us all in stone and places the artists in Bushwick forever alongside those of the East Village, SoHo and the New York School. It is important that our efforts hold a place.

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