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Choking a Golden Goose

NEW YORK POST

August 6, 2013

Choking a Golden Goose:

The mindless war on fracking

by James Panero

The Marcellus Shale is a layer of gas-rich rock that extends from New York’s Finger Lakes district and Southern Tier through Pennsylvania, Ohio and West Virginia, covering nearly 100,000 square miles. The layer gets its name from a surface outcropping near Marcellus, NY — which makes it ironic that New York is the only state not basking in the riches of this cornucopia.

Texas oilman George P. Mitchell spent millions and nearly two decades solving the puzzle of how to extract the natural gas trapped in shale. He got it working about 15 years ago — launching what some call the Shale Revolution.

What did the job, he found, was a combination of two technologies: hydraulic fracturing and horizontal drilling. Hydraulic fracturing — a k a fracking — is the fracturing of rock with pressurized fluid. The technology has been around since the late 1940s. Horizontal drilling is even older, but matured in the 1970s.

On the northern Pennsylvanian Marcellus, the wells link up with the underground infrastructure of gas pipelines that crisscrosses the eastern United States, so on-site gas storage is unnecessary.

And, once the drilling and fracking are finished, the firm removes all the equipment from the site and restores the topsoil. All that’s visible is a tiny wellhead and storage tanks to collect the small amount of fracturing fluid that returns to the surface, which the company will re-use in future jobs.

The Shale Revolution has brought enormous economic benefits. The consulting firm IHS Global Insight reported last year that shale oil and gas combined generated $87 billion in domestic capital investments in 2012 — on track to rise to $172.5 billion a year by the end of the decade.

Much of that investment is in struggling rural economies. Shale developers not only lease drilling sites from their owners; they also pay the owners of the plots whose gas is being tapped. Distributors pay people to run underground pipelines through their properties. Drillers share the returns of each well with the landowner.

The savings on energy ripple through the economy. The US Energy Information Administration reports that the shale-gas boom has pushed down the price of natural gas in America to a third its 2008 level. The lower costs of shale gas, PricewaterhouseCoopers reports, will yield 1 million domestic manufacturing jobs by 2025.

It also means lower heat and electricity bills for consumers, even as it helps the environment by replacing coal in power plants.

New York City in particular could benefit greatly. Pipelines already deliver gas to nearly every home stove in the five boroughs. The heating boilers in the basements of most residential and commercial buildings, which now run mostly on dirty No. 4 and No. 6 heating oil, could be converted to cheaper, cleaner natural gas over time.

My own Upper West Side apartment building has just replaced an obsolete boiler that burned No. 6 oil with one that burns cleaner No. 2 but can shift to gas power with the flick of a switch — once enough gas is available.

Utilities are working to upgrade the underground pipelines to make the changeover possible. Con Edison is installing a gas line an avenue away from my building, and a new city initiative called NYC Clean Heat is helping us persuade the utility to bring the supply to our building.

Mayor Bloomberg has embraced shale development, envisioning a city where buses and trucks run on natural gas and electric vehicles are charged via gas-fired power plants. “Remember that 13,000 Americans will die from the effects of coal-fired power plant pollution every year,” Bloomberg said in April. “I don’t know of anybody yet that’s been killed by fracking.”

Yet shale gas’s benefits won’t be realized if environmentalists have their way. They’ve painted fracking as destructive and dangerous — rather than what it is: a safe, tested means of extracting a clean, local, naturally abundant resource.

The fact that independent studies have found precious little evidence to support the greens’ claims (such as the charge that fracking contaminates groundwater) hasn’t detered them.

Indeed, celebrities have embraced the anti-fracking cause with gusto. In 2012, Yoko Ono and Sean Lennon formed the advocacy group Artists Against Fracking, which soon had more than 200 prominent signatories, including Alec Baldwin, Gwyneth Paltrow and Lady Gaga.

The money poured into such disinformation campaigns has paid off: Seven months after Artists Against Fracking formed, a Quinnipiac poll found that, for the first time, New Yorkers opposed fracking, 45 percent to 39 percent. And Gov. Cuomo, apparently unwilling to confront the monied anti-fracking interests, has endlessly delayed approval of drilling in the economically depressed Southern Tier.

Yet the facts show that the Marcellus story is a positive one. The gas industry has newly paved the roads around Dimock, Pa.; farmers there now have income to pay down debts and fix up their properties. Jobs are growing.

Pennsylvania has been wise enough to let the Shale Revolution improve its residents’ lives. New York should follow suit.

This article was adapted from the Summer issue of City Journal.

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NURTUREart benefit 2013

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I have long admired the work of NURTUREart, an art non-profit now located in the heart of Bushwick at 56 Bogart Street that is "dedicated to nurturing new contemporary art by providing exhibition opportunities and resources for emerging artists, curators and public school students." One way that NURTUREart connects to the greater arts community is through its annual benefit, where hundreds of artists and collectors come together each year and, for the price of admission (as little as $225), you get to take home a work of art.

I am always excited to see the artists selected for exhibition, which includes many familiar names from the Bushwick art scene. These benefits therefore offer an excellent way to assemble an art collection on a budget. In a recent interview with Artspace, Barry Hoggard and James Wagner describe how they have built a major collection through benefits "like NurtureArt or Momenta. Those are the main ones we've been involved with."

This year I am honored to serve as a juror reviewing artist submissions to the benefit. The call for artists is open until September 1. Tickets are also now on sale for the gala evening on October 28. Don't miss out on this fun event for a worthy cause.

 

-IN THE PRESS

Take a look at the Wall Street Journal's account of the great benefit evening, "Throwing Elbows at an Art Show." 

Attendees of NurtureArt's annual benefit on Monday night maneuvered a juried collection of 265 works of art with focus and diligence, quickly claiming pieces to call their own. For $275, ticket holders could bring home a work of art of their choosing, and for $175 more, they could select a second work.

"The ability to get art from NurtureArt is one of the best things you can do as a collector," James Panero, one of the event's four jurors, said. "The artwork that is donated is at a very high quality and it tends to represent many Brooklyn and Bushwick artists."

Read the entire account here

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Hyperallergic: In the Know

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James writes:

This week I am delighted to write the "In the Know" column for Hyperallergic.com. Who knew? What follows is my cross-borough survey:

Could there be anything better than New York City in the summer? The answer is assuredly, yes. Still, the five boroughs are an eden, and the Big Apple has never tasted sweeter, even when fully baked.

From the top, here are some recommendations. I should add that my three-year-old daughter had a hand in this list.

Let’s begin with Wave Hill in the Bronx. This garden estate overlooking the Palisades is Tuscany on the Hudson. On July 6 and 7, Target is offering “Welcome Home Weekend,” with free admission to mark the reopening of the Wave Hill House. It should be said that Wave Hill is perfect to visit anytime, because here is an institution that has bucked the trend of New York nonprofits and continues to offer tickets priced in the single digits. In addition to the gardens, Wave Hill supports an impressive exhibition program, family art projects every weekend, a charming shop — why would you leave, except to …

… visit Arthur Avenue, the Little Italy of the Bronx. This neighborhood just south of Fordham University is where we get our supply of burratahand-cut linguinicoal-fired Italian bread, and street-shucked clams.

Moving inside, enough good things can’t be said about the Metropolitan Museum’s rebooted European Paintings Galleries, 1250–1800. These rethought, reconfigured, reenergized rooms are an unassuming masterpiece. They look like they were always meant to be, familiar but better than you remembered. The Southern Renaissance now has a beginning. The Northern Renaissance now never ends. And while the tourists are getting punked, you have Vermeer, Bruegel, Velazquez, and Fragonard (daughter’s fav) just about all to yourself.  

Finally, a word about The Rockaways. They are back. While the beach at Fort Tilden remains closed, the west end of Jacob Riis Park, rehabilitated after Sandy, seems to have picked up the slack. The sand is freshly sifted. The plovers are nesting. I understand there is a bus. My daughter proclaims this to be the new “hipsah beece." After the year we've all had, it's a great thing to see.

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